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Musically, the production proved to be more than adequate, despite the fact that Tenor Ramon Vinay and pretty Soprano Gre Brouenstein showed signs of strain. The chorus, one of the world's finest, performed brilliantly. But the chief attraction, as usual, was the staging. Wieland sees Tannhäuser as a harried misfit in a world of rigid conventions. Dressed in a black cloak (while the other minstrels wear brown), he moves among stiff, almost mechanized people of the court. Preparing for the crucial song contest in the second act-usually staged with casual confusion-uniformly dressed...

Author: /time Magazine | Title: Music: Topnotch Tannh | 8/2/1954 | See Source »

Battle-Scarred Warrior. To newsmen, this was a prime example of the weakness of the French press. To Nèegre, it was a big setback in a ten-year battle for freedom of the press. Neègre was a star Balkan correspondent for the French agency, Havas, oldest newsgathering agency in the world, when the invading Germans suppressed it in 1940. In Rumania, Negre promptly organized an underground French information service to smuggle news to the allies, was trapped by the Gestapo and imprisoned. Released in an exchange of prisoners, he feigned loyalty to the Vichy government...

Author: /time Magazine | Title: Headline of the Week: The Beat That Backfired | 3/3/1952 | See Source »

...government has exercised its right to boss A.F.P. before, fired Nèegre outright in 1947 for what it called "administrative reasons," but he fought so hard that he was reinstated. When Faure suspended Neègre last week, A.F.P. men were shown again what they had known all along: that the press, no more than a nation, can be merely half free. A.F.P. was already paying for the discovery. The Dutch news agency, A.N.P., which had just concluded a new contract for A.F.P. service doubling the old price, informed A.F.P. that, in view of the government's control...

Author: /time Magazine | Title: Headline of the Week: The Beat That Backfired | 3/3/1952 | See Source »

Milhaud: La Création du Monde (the Columbia Chamber Orchestra, Leonard Bernstein conducting; Columbia, 1 side LP). Composer Milhaud made two trips to the U.S. in the early '20s, and went back to Paris jumping with jazz. In this score for a Ballet Négre (1923), he proves that he caught the inflection better than many a serious U.S. composer has yet. The performance (with Benny Goodman taking the solo clarinet part) is in the groove. Recording: good...

Author: /time Magazine | Title: Music: New Records, Dec. 17, 1951 | 12/17/1951 | See Source »

Initiates may find the real meat of Bal Nègre in its elaborate ritual dances and act-long, story-crammed ballets. More casual observers may find these somewhat arty, and cotton much more to Bal Nègre's gay, stylish folk dances-and to its spoof of the ragtime and jazz cavortings of not-so-tropical climes...

Author: /time Magazine | Title: The Theater: New Revue in Manhattan, Nov. 18, 1946 | 11/18/1946 | See Source »

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