Word: great
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Dates: during 1940-1949
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...Cologne 43 years ago, he argued that he ought to get the job because he was no worse than the other candidates. Some of Adenauer's critics today say that the same applies to his new job as West Germany's Chancellor. Actually, Adenauer is a great deal better than other candidates; he ranks far above most other figures on the German political scene. The only man who approaches Adenauer's stature is the Socialists' Kurt Schumacher. With sharp, sardonic intelligence and fierce oratory, one-armed, one-legged Schumacher accuses Adenauer of being dominated by Ruhr...
Friends of Winston Churchill, on the eve of his 75th birthday, recalled a recent Churchillism on the subject of old age: "I am ready to meet my Maker. Whether my Maker is prepared for the great ordeal of meeting me is another matter." In the first issue of the Italian magazine Insieme (Together), which the publishers had promised would stress "the exaltation of family life," Co-Editor Countess Edda Ciano wrote unashamedly that she had been born out of wedlock to Benito Mus solini and Rachele Guidi, who was later his wife. "For many years, unaware of being a bastard...
...Southern Great Plains Experimental Range at Woodward, Okla., state and federal experimenters found that airplane-sprayed 2,4-D, the chemical that kills "broad-leaved" plants while leaving grasses unharmed, did a fine job of killing sagebrush. The treatment costs a little more than $2 an acre and destroys as much as 90% of the pest. On de-brushed range, cattle gain 75% more weight per acre, and sell for twice as much as if they had to hunt grass among sagebrush...
...that on the stage." General Manager Edward Johnson had scheduled an opener that was hard to beat: the late Richard Strauss's sure-fire Der Rosenkavalier, with a cast of "unusual interest," directed by the Met's most brilliant conductor, Fritz Reiner. But last week, when the great night rolled around again, the off stage competition was as usual just too tough...
...Warehouse. Two nights later, Met-goers saw the first performance in 19 years of Puccini's Manon Lescaut. In front of new sets that were hardly more imaginative than any of the Met's old ones, great Lyric Tenor Jussi Bjoerling and Soprano Dorothy Kirsten sang like opera stars, but acted in the old arm-flailing tradition that has long been the curse of the opera stage. The first matinee was a revival, after nine years in the warehouse, of Saint-Saëns' Samson and Delilah. As a vehicle for Dramatic Tenor Ramon Vinay, the strong...