Word: greate
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Dates: during 1990-1999
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...says Quittner, who writes our Personal Time technology column and edits TIME DIGITAL. Quittner and photographer David Burnett even stayed at Bezos' Seattle, Wash., home overnight, where they played way too much Foosball. (How good is Bezos? Let's just say that as a Foosball player, Bezos is a great Internet strategist...
Last week's handover of the Panama Canal neatly brackets the American Century. It begins with Theodore Roosevelt conceiving the canal and, with it, America ascending to the rank of Great Power. It ends with America so great a power, so serenely dominant in the world, that it can give away T.R.'s strategic jewel with hardly a notice...
...American triumph in the '90s came as a rude surprise to some. Only a decade ago, Paul Kennedy's The Rise and Fall of the Great Powers ushered in the conventional wisdom that America, suffering from "imperial overstretch," was in decline. With the collapse of the Soviet Empire, it was assumed that the world would go from cold war bipolarity to multipolarity. After all, was not Japan flourishing, Europe unifying, China rising...
Velazquez couldn't have cared less about leaving a record of his own personality in his work. Confession (except to a priest) wasn't part of his culture. His objectivity formed itself around an almost punitively observed decorum. He must have felt he was a great painter, but his life's struggle was to establish himself as a great gentleman. No court was more hedged with exact signs and symbols of degree than that of the Spanish monarchy. Velazquez spent much of his adult life lobbying, campaigning, espaliering the family tree and sucking up to the noblesse in order...
...thing is the long delay in Velazquez's influence. He hardly touched the next generation of Iberian artists, and the first unquestionably great Spanish painter to fall under his spell was Goya, more than 100 years after Velazquez's death. The reason was social. Most of his work was done for the King and the court, and was thus invisible to young artists. And practically none of it went abroad. Not until the museum age, when what had been private became public, did Velazquez become the intellectual property of mediocrity and genius alike. Numerically, this is a little show...