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Word: greate (lookup in dictionary) (lookup stats)
Dates: during 1990-1999
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Usage:

...major educational events. It was designed to be fun, and if we got info out at the event, then great," she added...

Author: By Robert K. Silverman, CRIMSON STAFF WRITER | Title: Student Labor Activists Bake for Living Wage Campaign | 12/10/1999 | See Source »

...Signs are great," Wikler says, carrying a stack of flyers, "but not so much the focus of our campaign...

Author: By Jonelle M. Lonergan, CRIMSON STAFF WRITER | Title: Stumped:Candidates Go the Distance | 12/10/1999 | See Source »

...Expressions provides Boston's massive art student population with a unique forum for exhibition and sale. While they have not shown work by Harvard students within recent memory, they have done so in the past and VES concentrators are encouraged to give it a shot. This is also a great place for the less than wealthy to play art collector: the pieces exhibited are comparatively dirt-cheap. November's memorable show featured an enjoyable melange of photography, painting and found-object creations on the theme of "Natural Elements," promising good things to come...

Author: By Annie Bourneuf, Kirstin Butler, and Jenny Tu, S | Title: The Field Guide: Art in Boston | 12/10/1999 | See Source »

...facility of the Boston Center for the Arts, a large non-profit which also runs the Cyclorama, various theaters and over 50 artists' studios in the South End. The well-curated exhibitions emphasize the contemporary and the local. In the current show, Boston-based artist Sheila Pepe has stretched great drips and webs of crocheted yarn across the room. From what I gather, crochet is the medium of the moment; see, for example, the work of Seong Chun. Pepe also plays with casting shadows, created by found-object mini-sculptures, across her childlike drawings. A limber, nimble exhibition...

Author: By Annie Bourneuf, Kirstin Butler, and Jenny Tu, S | Title: The Field Guide: Art in Boston | 12/10/1999 | See Source »

These spaces are, to varying degrees, children of the alternative-spaces movement of the 1970s, which was a great push on the part of artists to create their own institutions to exhibit their own work just the way they want, without having to deal with stuffy curators or pushy gallery directors looking for the next big-bang art star. Some of the spaces now in Boston, like Bromfield and Mobius, started in the '70s; others have started up more recently, but with much the same spirit. While a few spaces, like Kingston and Mills, resemble commercial galleries, most are more...

Author: By By ANNIE Borneuf, | Title: THE FIELD GUIDE Part III: Non-Profit and Alternative Spaces | 12/10/1999 | See Source »

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