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...have popular consensus on their side, but the boat is under legislative siege from the government. Their fiercest opponent is Minister Alistair Dormandy (Branagh), who is committed to shutting down “the drug takers and the lawbreakers and the bottom-bashing fornicators of this recently great country...

Author: By Brian A. Feldman, CONTRIBUTING WRITER | Title: Pirate Radio | 11/13/2009 | See Source »

...really try to emphasize the students in every aspect—the photographers, the models, etc. After the show, we send the designers pictures, so it’s really great to have these photographers get exposure. We’ve tried to strengthen our relationship with Harvard, and we’re going to become an official student organization in the spring...

Author: By Athena L. Katsanpes, CONTRIBUTING WRITER | Title: SPOTLIGHT: Project East | 11/13/2009 | See Source »

...Alexis is well handled by Nelson (in last Saturday’s matinee performance). His strong tenor and zestful portrayal of his foppish, affected character provides many of the performance’s most rewarding moments. In particular, his over-the-top exchanges with his father, played with great aplomb by Yashinsky, are delightful...

Author: By Julian B. Gewirtz | Title: Cast of ‘Sorcerer’ Spellbinding | 11/13/2009 | See Source »

Medefind also gives a very effective performance as Aline. The role offers limited dramatic opportunities, but Medefind’s light yet textured soprano brings great charisma to the part, especially in the song “My Kindly Friends/Happy Young Heart.” Selowsky shines as Lady Sangazure, combining vocal agility with dramatic sensitivity. Her rich timbre and mature legato stand out particularly in her aria “My Child, I Join in These Congratulations” and her duet with Sir Marmaduke, “Welcome...

Author: By Julian B. Gewirtz | Title: Cast of ‘Sorcerer’ Spellbinding | 11/13/2009 | See Source »

...level, focusing on Underwood’s voice might make sense, as she is a technically flawless natural, as effortless a female singer as any in a genre which has a richer tradition of great female vocalists than any other. As her eponymous 2005 debut and 2007’s “Carnival Ride” showed, she can sing country—and ballads in particular—with verve and gusto. But on those albums she sang the songs; here, she overpowers them, such as they are, with pyrotechnics. The result is impressive, perhaps, but certainly...

Author: By Keshava D. Guha, CRIMSON STAFF WRITER | Title: Carrie Underwood | 11/13/2009 | See Source »

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