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...were often to be found in one place: at the Royal Shakespeare Company (RSC) in Stratford-upon-Avon, where the bard was born. There, in 1976, on a bare stage in a tin hut called The Other Place that could seat 150, McKellen and Dench gave two of the great stage performances of all time. "No interval, but straight through," says Dench, 74, of their Macbeth. "And not a normal kind of production at all. Plain black costumes, all very simple in a very small, dark place. We all stood round an orange box." The play was, as Dench says...

Author: /time Magazine | Title: Ian McKellen: The Player | 3/19/2009 | See Source »

...Kindly Ones is unmistakably the work of a profoundly gifted writer, if not an especially disciplined one. Littell's great insight is into the damage that genocide does to those who perpetrate it. The Nazi bureaucracy has sold Max and his colleagues on mass murder as a hygienic solution to Germany's woes, regrettable but necessary. But carrying it out tears them to pieces. They stumble around half mad and constantly drunk. They wall off the horror, but it oozes through the cracks. The work of destruction is feeding back into them, destroying them in turn. "What if murder weren...

Author: /time Magazine | Title: The Good Soldier | 3/19/2009 | See Source »

...return of the 3-D movie sounds like a rerun, that's because it is. By some counts, this is 3-D's eighth incarnation, and to date, it hasn't exactly revolutionized the industry. The first stereoscopic movies appeared in the U.S. before the last Great Depression, disappeared, then enjoyed a schmaltzy revival in the 1950s with such blockbusters as House of Wax (1953). They've cropped up intermittently ever since, typically attached to high-camp vehicles like Andy Warhol's Frankenstein...

Author: /time Magazine | Title: Are 3-D Movies Ready for Their Closeup? | 3/19/2009 | See Source »

...admire your craft and think you would make a great 007. Have you ever wanted or been offered the role of James Bond? Phillip McDowell JACKSONVILLE...

Author: /time Magazine | Title: 10 Questions for Clive Owen | 3/19/2009 | See Source »

Just as with the rest of us, his great weakness is hope. He's attracted to it and deeply suspicious of it all the same. It's a reason he's been preoccupied lately by the brief heyday of the Soviet avant-garde in the years right after the October Revolution, before Stalin put his very big foot down and imposed the rule of socialist orthodoxy in all artistic realms. A short episode of utopianism that ended in its own flood of blue tears, those years seem to epitomize for him the absurdity and paradox of politics...

Author: /time Magazine | Title: Artist William Kentridge: Man of Constant Sorrow | 3/19/2009 | See Source »

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