Word: greatly
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Dates: during 1920-1929
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...Comrade Litvinov made the most of it. Stomachs quaked with mirth as he told in droll fashion how Statesman Stimson had called on all the 53 Kellogg Treaty nations to second his note, and concluded amid guffaws: ''I have just received a cablegram saying that Panama-even great Panama-stands with Mr. Stimson...
...skyscrapers. The vertical city quickly fills up, work is begun. Shortly after noonday the working day is over-"the city will empty as though by a deep breath." If man applies himself, says Le Corbusier, the ideal can be realized. He sums up: "Immense industrial undertakings do not need great...
...motion picture companies stockmarket breaks do not mean diminished profits, for like tobacco companies they are "depression proof." But at this particular time the stockmarket decline brought severe trouble to Cineman Fox. During the recent period of expansion he had needed great sums of cash. These he had obtained by short-term loans upon the stock of acquired companies. With $91,000,000 of these notes falling due, with his collateral down, with conditions bad for refinancing, Cineman Fox for the first time needed assistance. Last week he summoned aid by appointing a trustee-triumvirate consisting of himself, a banker...
...asked Lead to get out- perhaps because Señor Patiño's other English customers for tin objected to his partnership with a lead manufacturer. Regretfully, Lead's President Edward J. Cornish got out. Last week President Cornish got Lead into Associated Lead Manufacturers, Ltd., Great Britain's largest fabricator of lead products. (The deal involved a large but not majority block of stock.) Thus, National Lead is still Señor Patiño's most important customer, with results perhaps, as follows: Lead will not share in Pati...
...other words, Fedya is a great character, a coiled complex of frailty and nobility, such as his creator Tolstoy and that other great Russian, Dostoievsky, were particularly apt to conceive. As acted by Jacob Ben-Ami and a large company of Eva Le Gallienne's Civic Repertory Theatre (including a witty bit by the directress herself), most of the values of this celebrated tragedy are apparent. Egon Brecher's depiction of Alexandrov, an artistic hobo with delusions of grandeur, is an uproarious triumph if you can overlook its tragic perspectives...