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Word: greatly (lookup in dictionary) (lookup stats)
Dates: during 1960-1969
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Usage:

...read with great interest your recent editorial on the steady erosion of the forcefulness of the word, 'fuck.' Realizing the need for an obscenity to supplant this fading epithet, we enlisted the aid of an Applied Mathematics section man to program the Harvard computer to run through the list of four-letter combinations (there are 26 to the fourth power equals 456,976 of them, if you ignore the necessity of vowels, etc.) in an effort to pick out the ten filthiest words in the English tongue. The word at the head of the list is so unbelievably obscene...

Author: NO WRITER ATTRIBUTED | Title: FADING EPITHETS | 5/21/1969 | See Source »

...Bunk Johnson, an old man who had spent a lifetime playing his cornet in the rural south in and around New Orleans. He had never recorded, but among the old timers in New Orleans, he was remembered with great respect. The collectors finally located Bunk in New Iberia, Louisiana. He was slight and dark with snow white hair, well into his sixties by then. Did he play anymore? No, haven't touched a horn in ten years. Did he have a horn? Nope. My horn got wrecked the night Evan Thomas was murdered on the bandstand...

Author: By Thomas A. Sancton, | Title: 'I Had to Make Music Like That, Too' | 5/21/1969 | See Source »

...Bunk Johnson band, most jazz collectors assumed that New Orleans jazz had died when the red-light district was closed in 1917. They assumed that all the jazz musicians were out of work and either went north to Chicago or New York, or gave up music entirely. Many great musicians did go north--King Oliver, Johnny Dodds, Jelly Roll Morton, Louis Armstrong. The New Orleans music they took with them began its metamorphosis in the 20's and 30's, evolving into swing and big band dance music, and later into bop and progressive jazz. Most collectors...

Author: By Thomas A. Sancton, | Title: 'I Had to Make Music Like That, Too' | 5/21/1969 | See Source »

Bunk was a symbol of the perseverence of that music and the culture which had engendered it. His career stretched all the way back to the 1890's when he had played with the famous Buddy Bolden band. Bunk had been the idol and teacher of many great New Orleans trumpet men, including Louis Armstrong. "They was all crazy behind old man Bunk's playing" he said himself in 1942. He had worked in every joint in Storyville, and played countless parades and funerals throughout the city. And now in the 40's, ten years after his "retirement" from music...

Author: By Thomas A. Sancton, | Title: 'I Had to Make Music Like That, Too' | 5/21/1969 | See Source »

Kunen's wit captures this shapeless but intense anger very lucidly, and while his book is far from the last word on radicals, it is as sharp a statement of radical disgust with liberals as one can hope to find. With great glee, Kunen relates second-hand The Ad Hoc Faculty Sandwich Decision -- a scenario in which votes have been taken, dissident factions reconciled and the body has determined how it will mediate the battle between jocks blocking off the entrance to an occupied building and any protestors trying to pass in food. Kunen discovers the trouble with the liberals...

Author: By Richard R. Edmonds, | Title: The Strawberry Statement | 5/20/1969 | See Source »

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