Word: greatly
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Dates: during 1960-1969
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This was a university matter which could and should have been handled within the College and within the great Harvard traditions of free discourse and necessary innovation. By quickly calling in the Cambridge po- lice with their totally predictable savagery you have shown more mindlessness and violence than the original dissenters themselves. The bitter escalation and permanent scars of this colossal blunder are now your responsibility...
WHAT Ungaretti drew from the War was the peculiar knowledge of a "disabused modern consciousness," not d'Annunzio's heroic myth of the theatrical, but rather the awareness of anonymity and other sorrows. Influenced more by Giacomo Leopardi, the great Italian poet of the nineteenth century, and by Mallarmé, than by the aesthetic exigencies of his own age, Ungaretti shared with his close friends Apollinaire and the Fauvist Braque a profound despair over history's irrationality. But Apollinaire never survived the War, and those who did were so shattered and forlorn that their only response was that...
...Psalm 150 with commendable intonation, balance, dynamic nuance, and tone. The parts were defined and clearly combined rather than blended into an ermine confusion. The antiphonal Gabrieli suffered from a slight lack of vitality, but at least avoided the exaggerated vivacity which often vulgarizes his works. Schutz's great Psalm, a polychoral, instrumentally supported work in concerto style, was distinguished for its sensitive singing and generally excellent brass playing. But the Sweelinck provided the evening's finest performance. Here purity of syllable, beauty of phrase, ease in the high soprano tessitura, and highly intelligent conducting elicited the complex polyphony...
...charming. The Tallis and Greensleeves fantasias, Young Person's Guide, Ceremony of Carols, and Spring Symphony are all exquisitely charming, irresistibly delicious. But I, for one, am slowly drowning in this unendurably "childlike" floodtide of syrup and sugarplums. The popular repertoire of English and American works is one great confectionery, a banquet of indigenous sweetmeats, a maddeningly luxurious dessert table from which the audiences can engorge marzipan and seraphim until prostrate from he sheer agreeableness...
...working for and with the ruling class--for those that have time to acquire their particular 'culture.'") to Literature ("Little attention is ever paid to the communal or 'folk' aspects of literature, or a 'pre-capitalist' literature which expresses the myths and values of a group."). Now, a great deal of this writing is remarkably puerile, but it has the great virtue of holding together. It is all here, the pieces fit, it works. This is the general idea as expressed in the Introduction: "The picture that is sketched here is an aspect of a totality that consists in essence...