Word: greatly
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Dates: during 2000-2009
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...stay true to Meyer's books, but he also had to follow the tone of Hardwicke's Twilight. Up to a point. "I wanted it to look more old-fashioned than the first movie," he says. "Hardwicke's film was very contemporary, very stylish. Very immediate. That was great. But not me. I'm a bit of an old fogy. What I wanted was wide-screen epic...
...medium for measuring our mood. Not surprisingly, that mood has bounced around over the years, with the general sense of well-being hitting its lowest points in 1973, 1982, 1992 and 2001, all recession years. So why is it that at least some aspects of the Great Recession of 2009 appear to have made people feel better? (See 10 big recession surprises...
...Great Recession has also exposed our magical thinking about what constitutes a middle-class lifestyle. Flash back a generation to the house with the white picket fence. It had a black-and-white TV with an antenna, a car in the garage, a chicken in every pot and two kinds of lettuce (light green and dark green). Now the average house is more than 50% bigger, the car is twice as powerful (and there's often more than one), the TV is flat and gets 900 channels, and we expect the grocery store to have strawberries year-round and about...
...modernists, but in its first years the school was caught in a contradiction: a romance with individual craftsmanship at odds with the modernist ideal of mass production. Even the name Bauhaus (House for Building) carried echoes of Bauhütten, the shared lodgings of the medieval craftsmen who built the great cathedrals. As for the painters connected to the Bauhaus, whatever systems and principles Klee and Kandinsky believed their art was expressing, no one looking at anything they did--Klee's phantasmagorias, Kandinsky's swimming abstractions--would think the words factory produced...
...page. He had been invited years earlier to form an arts academy out of two existing schools in Weimar, the charming, tradition-minded little city where Goethe had lived. But very little about the school Gropius had in mind would be traditional. Instead of teaching students to imitate great works of the past, the Bauhaus entry course explored fundamentals like the material properties of wood and metal or how colors and forms operated within an image. Instead of focusing on painting and sculpture, the curriculum was built around workshops in woodworking, ceramics, metalworking, printmaking and weaving...