Word: greatness
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Dates: during 1960-1969
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...meet a payroll, he gave where he found the giving useful, he bought when he found the value worth preserving, and he could afford to disregard the sureties of market taste. He did not feel compelled to buy the typical or the characteristic. He did on occasion-a great painting is irresistible at times, even to a millionaire of individualistic taste. "But his collection is completely his own," says Assistant Director Frederick Cummings of the Detroit Institute of Art. "He bought what he liked, and it was the best...
There is no hero. The central figure is Basho, the great 17th century Japanese poet. To this role, Nicholas Kepros brings a wry gravity of mien and a musical clarity of line delivery that merits his being called Zen Gielgud. Basho is on a quest for enlightenment, a radiant shaft of wisdom that will have the direct luminous perception of one of his poems...
Instead, he encounters the world. A power-mad dictator, Shogo, establishes a great city but it is overthrown by Blimpish invaders blasting away with gunboats and Christian hymns. This regime establishes an inner tyranny of sin and guilt, and it too collapses. At play's end a nude man, all but drowned, clambers out of a river and towels himself off-the naked ape-a genius at survival and a dunce at self-transcendence...
...Stones launch into Jumpin' Jack Flash, the guitars driving. Jagger stretching out the syllables, howling notes much like the old Bob Dylan. At the end he cries, 'Are you having a good time?' The bad guy trying to please. Then Carol, bop-bop-bop-bop, a great oldie, good times at the record hop all over again. Jagger leaps about the stage, smirking, jerking, prancing, shooting pelvic thrusts straight at the crowd...
Died. Boris Kroyt, 72, Russian-born viola virtuoso and for 31 years a pillar of the Budapest String Quartet; of cancer; in Manhattan. Ranked with Paul Hindemith and William Primrose as one of the viola's great masters, Kroyt joined the Budapest in 1936, and two years later the brilliant foursome traveled to the U.S., where their concerts and records raised chamber music to new heights of popularity. Their repertoire ran from the classical Beethoven and Brahms to moderns like Bartók and Milhaud, all played with a passion and Toscanini-like elegance that substantiated their preeminence...