Word: greats
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Dates: during 1940-1949
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After four years of fat competitive salaries, the players had less reason to exult. A few days before the merger, Notre Dame's great end, Leon Hart, observed that he would be willing to play professional football for $25,000 a season. At week's end, Arthur McBride, chief owner of the A.A.C.'s high-stepping Cleveland Browns put the new picture in focus: "Some . . . players who got $10,000 and $12,000 this year will be playing for half that-or less-next season...
...lien of $61,221 on back federal income taxes, Joe could well use the $300,000 or so (before taxes) a comeback fight might bring him. Charles was willing, if not enthusiastic. Said he: "Well, now, I'd like to see him stay what he is-a great champion and a great man. But if they want to fix it up for me to fight him, I'll sure fight...
Painted on a 15-by-20-inch panel, the picture was almost surely the work of the great 15th Century Flemish master, Jean Clouet the Elder. Last week it had been identified by no less an authority than Maurice Goldblatt, director of the Notre Dame University art galleries, who first rescued Clouet from obscurity (his paintings were long known only as the work of "the Master of Moulins"), has since ascribed 20 other paintings to him. Chicago Lawyer Bailey Stanton, who picked up the picture on Goldblatt's advice, might well turn a $100,000 profit on his purchase...
...card. Conway's Mother and Child lacked even that advantage; it was an all-but-indecipherable tangle of syrupy colors and tricky, scratch-and-patch textures without visible sentiment of any kind. Conway, who golfs about as well (in the high 70s) as he paints, had clearly taken great pains to scramble his prizewinner. Painting, he says, is like golfing: "Hitting the ball for miles and miles to try to get it into that little hole...
Bare but Not Barren. Like the great churches of the past, the new buildings designed by such brilliant moderns as Wright, the Saarinens, Antonin Raymond and Pietro Belluschi are "functional" in that they use the latest structural materials and techniques in such a way as to emphasize rather than conceal the way they were built. As Architect Belluschi tells prospective clients, he loves the Gothic far too much to design a cheap imitation that conceals a steel frame behind an ivied stone facade...