Word: greats
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Dates: during 1970-1979
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...colleagues had great difficulty getting at the root causes of such behavior. Says Straus: "The reasons are mixed-psychological, sociological, situational." The head of the household, for example, may feel under particular stress because he has been out of work too long. Violence may also be an echo of the past. Explains Straus: "When Mommy gives her two-year-old a slap for putting something dirty in his mouth, he is learning from infancy that those who love you hit you." Another trigger may be war or inflation. Says Gelles gloomily: "If heating goes up to a buck a gallon...
...produced in Russia before, during and for ten years after the Revolution of 1917 was the last great efflorescence of the modernist spirit that is still not fully known about. This was partly due to the cold war. The main reason, however, was repression inside the Soviet Union. The work of artists like Alexander Rodchenko, El Lissitzky, Lyubov Popova, Natalya Goncharova, Mikhail Larionov, Vladimir Tallin, Kasimir Malevich, Natan Altman, Naum Gabo and scores of others was a collectively ecstatic response to the possibilities of a new world, the Utopia that Lenin called "Marx plus electricity." It was international in range...
...exhibition that opened last month at Paris' Centre Pompidou, under the title "Paris-Moscow, 1900-1930," is therefore a cultural event of prime importance. There has never been a chance for anyone, in or out of the Soviet Union, to see this great subject treated in such depth. It is designed, in the words of the catalogue, as "the last panel of the triptych" of exhibitions illustrating the relationships between Paris and three modernist capitals: New York (1977), Berlin (1978) and Moscow. The sheer size of the Soviet loan-some 2,000 works in all media, from paintings...
...Revolution. Moscow, before 1917, was one of the chief condensers of advanced cultural ideas-thanks not only to the artists themselves, but to bourgeois Maecenases like Sergei Shchukin and Ivan Morosov, whose enthusiasm for modern French art (Gauguin, Matisse, Picasso, in particular) is still evident in the great public collections of Moscow and Leningrad. There was a steady traffic of ideas, paintings and of the artists themselves between Russia, France and Italy...
...hybrid records-like The Cleveland Symphonic Winds lighting into Handel, Bach and Hoist (Telarc Records)-played at decent volume on a quiet evening could clear an entire neighborhood. "These hybrid records are not as good as full digital recordings," says Telarc's Jack Renner, "but they are a great deal better than conventional recordings...