Word: greats
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Dates: during 1970-1979
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...roll of drims, he warmly greeted Kirchschläger, walked with a slight limp by the honor guard and then was driven straight to his quarters in the Soviet embassy, a tree-shaded stone building that was built in the 19th century. Members of the Soviet advance team had taken great pains to portray Brezhnev as alert and eager for the summit and in no way hampered by ill health. Still, Austrian officials took no chances. They quietly ordered several hospitals throughout the city to keep beds and life-support equipment at the ready in case Brezhnev needed them...
...should not expect massive breakthroughs at Tokyo" but rather should aim for "a set of priorities about what should and should not be done." As Schmidt said last week, even if their accomplishments have sometimes seemed meager, the economic summits have helped the world avoid a repetition of the great Depression of the 1930s "which would have ruined...
...testify about the DC-10's hydraulic system, thought to have played a critical role in the crash. Later, a House aviation subcommittee will begin hearings into the development of the plane that caused the nation's biggest air disaster. Properly conducted, the hearings may reveal a great deal about the weaknesses of the FAA, as well...
...advanced thinkers in France, especially to Denis Diderot, compiler of the monumental Encyclopedia. "It is the chief business of art," Diderot declared in 1765, "to touch and to move, and to do this by getting close to nature." Chardin, Diderot said, epitomized that ambition at work: "Welcome back, great magician, with your mute compositions! How eloquently they speak to the artist! How much they tell him about the representation of nature, the science of color and harmony! How freely the air flows around these objects!" Few painters have ever had such a press as the one which, interrupted...
...what is rarer, their praise was deserved. For Chardin had two great gifts. The first was his ability to absorb himself in the visual to the point of self-effacement. Now and again, as in his Basket of Wild Strawberries-the glowing red cone, compressing the effulgence of a volcano onto a kitchen table, balanced by two white carnations and the cold, silvery transparencies of a water glass-the sense of rapture is delivered almost before the painting is grasped...