Word: greats
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Dates: during 1970-1979
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THOSE WHO WORRY about the future of opera look to film the way Great Britain viewed the United States during World War I--as a sleeping giant whose enlistment would surely break the stalemate. Harried impresarios hope filmed opera's wider audience will keep money flowing down the gaping drains of the world's international opera houses over the next decades, and end their financial stagnation. The more starry-eyed even suggest film will "restore opera to the masses" in the days of $50 tickets to the Metropolitan Opera...
Those subtitles give this Don Giovanni a great advantage over live opera, but pose a danger as well. By offering an instant, easily consulted libretto, they restore to the recitative sections the cynical bite normally lost on English-speaking audiences. Future directors. though, would do well to find themselves better translators than Losey's. As the spirits of hell clamor for the Don's soul, for example, he shouts, "They agitate my viscera...
...people who will go see Losey's film are the same people who buy seats for the Metropolitan Opera when it visits Boston each spring, not the great unwashed "masses" who couldn't care less about opera, who would rather see the latest Airport movie than Don Giovanni--or, better yet, go home and turn on the television. To "Mork and Mindy...
...Swift family in Washington D.C. yesterday refused to comment on the matter. "Her family is utterly terrified and feels she is in great danger," a person close to the family said yesterday...
...viewing in a theater. Without an insightful narrator or character who is willing and able to pronounce judgements on the characters, only the formal, though charming, Victorian plot and characters remain. Only seemingly simple appearances show through; each character looks the way he really is. Face value becomes of great value...