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Along with Adebimpe and Sandoval, Massive Attack enlist the help of several guest artists to varying degrees of success. Eight of the ten tracks borrow vocals from other musicians, and for the most part, their efforts are much appreciated. There’s a great deal of variety in the voices that carry the melodies of “Heligoland,” a welcome dose of diversity on an album that tends towards monotony in its musical textures...

Author: By Matthew C. Stone, CONTRIBUTING WRITER | Title: Massive Attack | 2/9/2010 | See Source »

...spite of such minor flaws, however, “Heligoland” is a resounding success. While the past seven years may have seemed like a great hiatus in music-making, the efforts that went into this album were clearly time-intensive, and they were not wasted. With a host of tracks that are at once arresting, menacing, and beautiful, “Heligoland” reestablishes Massive Attack’s captivating musical aesthetic and proves to be a bold reminder that Del Naja and Marshall are still going as strong as ever...

Author: By Matthew C. Stone, CONTRIBUTING WRITER | Title: Massive Attack | 2/9/2010 | See Source »

...rest of the album. The song is rather static: Smith sings within a restricted vocal range, and the lyrics consist of a repeated chant: “If all that grows starts to fade, starts to falter / Oh, let me inside, let me inside, not to wait / Great are the sounds of all that live / And all that man can hold.” While the lyrics refer to both the barrenness of winter and earth’s hidden bounty, the minor key in which the song is written and Smith’s monotone do not give...

Author: By Sally K. Scopa, CONTRIBUTING WRITER | Title: Midlake | 2/9/2010 | See Source »

...cohesion of “One Life Stand” marks a high point in Hot Chip’s career. The group have produced many great singles, but this is the first time they have crafted an entire LP of individually worthy, yet ultimately unified songs. “One Life Stand” is a well-crafted and multilayered record, marking a new stage in Hot Chip’s meteoric rise...

Author: By Jenya O. Godina, CRIMSON STAFF WRITER | Title: Hot Chip | 2/9/2010 | See Source »

...methodological, Fehrenbach recalls Margaret Livingstone’s explanation of Mona Lisa’s smile. “Now someone is giving us a scientific explanation for it, and there are a few ways that you can respond to it. First of all, you can say great, finally that has been explained by scientific fact. Or you can say, well does that mean, since I do not agree with the floating emotion in the Mona Lisa, does that mean that my neurologic apparatus is not okay? … I would simply say that all that neuroscience can provide...

Author: By Joshua J. Kearney, CRIMSON STAFF WRITER | Title: Painting Perception | 2/9/2010 | See Source »

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