Word: grecos
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Dates: during 1930-1939
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Sociology 6 offers an historical comparison of selected cultures (Primitive, Hindu, Greco-Roman, Mediaeval, and Modern European). Until now this course has occupied a full year and consisted of unrelated and digressive lectures by a number of men in the department, which was almost impossible for Parsons to connect. This year the course will be reduced to a half year and Parsons will give it all. It should be a good course...
...model Author Rodocanachi disclaims any single prototype, says he drew on several adventurous Greeks of his acquaintance. His own career offered a good starting point. Egyptian-born, English-educated, Constantine Rodocanachi is a veteran of the Greco-Turkish, the Balkan and World Wars, was a leader of the Venizelos revolution. He has made and lost several fortunes, served in the diplomatic corps. Now 58 years old, he has retired to devote his full time to writing. Forever Ulysses is his first novel...
Last week contemporary historians in their hallowed hour of retrospect could not fail to be struck by the dramatic character of 1937 in the field of art. During the spring and summer, paintings by El Greco and other great works belonging to galleries in Madrid, notably the Prado Museum, were removed under fire to Valencia and in some cases to Paris. While Spanish artists in Spain stubbornly ignored the war if they could, in Paris Spaniard Pablo Picasso found the perfect subject for his new horror-mangled style in a huge mural, The Bombing of Guernica, for the Spanish Government...
...Afternoon Light, by 29-year-old Federico Cantu, Chicagoans could study a mixture of El Greco and Picasso monumentality as evidence of one of the influences which are at work to internationalize Mexican...
...prehistoric art of the cave dwellers, the Sumerians, Hittites, Assyrians, Egyptians. These Author Cheney illuminates at length, scrupulously giving facts, interpretation and speculation for what they are worth. In this perspective, European art and artists assume new proportions and come under new categories. Reasons appear for praising El Greco more than Botticelli and Raphael. But though Author Cheney thus revaluates Western art by a universal standard of "formal values," he recognizes the greatness of illustrative, objective art. By the time a reader arrives after 900 pages at Matisse and Derain, Braque and Picasso, he neither needs nor is given...