Word: grecos
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Dates: during 1960-1969
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...long Neptune Pool, kept a constant 70° while Hearst lived. The pool was last used as a set for Spartacus, and it required no added props. As laid out by Hearst's architect, Julia Morgan, it is surrounded by two Etruscan-style colonnades, backed by a Greco-Roman temple, and fronted by a marble Birth of Venus. Equally awe-inspiring is the 83-ft.-long assembly hall with an immense 16th century Italian carved-walnut ceiling and a 16th century French stone mantelpiece for which Hearst outbid even John D. Rockefeller. Another favorite is the 27-ft.-high...
...painter's discipline has not changed. After dinner, Picasso leaps up, announces: "Now I must work," and paints until 1 or 2 in the morning. And in his spare time he has just finished writing a play in Spanish entitled The Burial of Count Orgaz, based on El Greco's famous canvas. "Naturally," he says, "it is not quite a play, and it's not a question of a burial...
...Greco, like nearly every movie biography of a master painter, uses the artist's art in much the way that a schoolgirl uses paper lace to decorate her valentines. On the heart of this large mushy studio card, dripping with De-Luxe color and local color (from stunning location sites in Spain), is the usual message: Be Mine. Mel Ferrer as the young old master says it to Rosanna Schiaffino as the highborn senorita whose family will not allow her to be his. Rosanna ultimately dies in a convent, post partum and penitent, paying dearly for what began...
...short course in art depreciation, El Greco distorts the little that is known of the artist's life: born Domenikos Theotokopoulos on the island of Crete in 1541, he spent his young manhood in Venice and Rome, then moved to Toledo, where he died old, honored, contentious, debt-ridden and proud. Though the rest of the drama appears to be based on hysterical inaccuracies, the strain in Spain lies mainly in Actor Ferrer, who portrays the temper of genius with a flatness more appropriate to Toledo, Ohio. Dressed in custom-tailored smocks and tunics, Mel looks like nothing...
...drawings and twelve sculptures by fellow Spanish moderns to hang in the quaint quarters at Cuenca. After retiring from business in 1959, Zóbel looked about Spain for a place to lodge his collection, which included, aside from his works by Goya, Velásquez and El Greco, post-Picasso Spanish painters of promise. An abstractionist named Gustavo Torner, now co-director of the museum, persuaded him to try Cuenca, where a grateful mayor was happy to find someone ready to rent the hanging houses already undergoing exterior repairs...