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...collection (Puvis de Chavannes, Corot, Manet, Monet) is also sparse. But six Metropolitan galleries will be opened on March 11 containing the famed Havemeyer collection (TIME, Feb. 4, 1929) which will greatly swell the museum's resources with fine specimens of Courbet, Corot, Manet, Monet, Renoir. Degas, El Greco, Millet, Puvis de Chavannes, Poussin, Ingres, Cezanne, Veronese, Filippo Lippi, Rembrandt, De Hoogh, Hals, Rubens, Goya. All in all. those who can content themselves with great artistry before Cezanne will find the Metropolitan a fascinating repository of paintings, not as great as the major European museums, but undeniably important.* Those...

Author: /time Magazine | Title: Art: Sterile Modernism | 3/10/1930 | See Source »

...news-review. Professor Reue Haussy, professional champion of France, is his most dangerous rival; recently he beat Philippe Cattiau, former world's greatest amateur, 14 touches to 5 with the foils. Most critics believe he would have had an easy time with famed fencers of the past: Kirchhoefer, Greco, Pini, Rue. They rate him with the great Marignac, notable for his ferocity. Marignac was bigger than Nadi who, though stocky (approx. 160 Ibs.) is not tall (5 ft. 10½ in.) for a fencer. One of his most famous strokes is the "advance thrust"-a lunge made...

Author: /time Magazine | Title: Sport: First Fencer | 2/10/1930 | See Source »

...heard that he too was probably marked as a victim. He determined to cheat untimely death by making himself strong. In St. Louis, in the midst of struggles to earn his living, he joined a gymnasium. Soon his muscles began to bulge. He became an adept gymnast, an expert Greco-Roman wrestler. He entered the lightweight national tournament, won it; challenged Chicago's welterweight champion, flattened him in four minutes; challenged Chicago's Heavyweight Champion Frank Whitmore, downed him in 91 minutes. After unsuccessful tries as acrobat and laundryman, Macfadden announced himself as a "kinistherapist, teacher of higher...

Author: /time Magazine | Title: Books: Physcultopathist | 1/13/1930 | See Source »

...call Modigliani's "daubs." And they have been answered variously. Recently an absurd attempt was made to apply the yardstick to Modigliani, to prove that he did not distort human anatomy.* Others admit the distortion but defend it by saying that the Egyptians distorted, as did El Greco, the Italian primitives. The merits of Modigliani, they add, are many: his color is finely schematic; his line is sensitive and delineates the sitter's character with wit and insight; his best canvases show the feeling of a real primitive; he is akin to the Siennese, a true Italian...

Author: /time Magazine | Title: ART: Modigliani's Mode | 11/11/1929 | See Source »

...representing the Holy Family and the other a classical scene. "Diana" by Tintoretto, a picture which Mr. Sachs lends annually to the Fogg for a period of six months, also appears in this gallery. John Nicholas Brown '22 has lent to the Museum an excellent picture by El Greco entitled "Saint Dominic." Most of the important paintings which were removed from this room to make space for the French exhibition have been returned from storage, among them the Ross Tintoretto...

Author: NO WRITER ATTRIBUTED | Title: Collections and Critiques | 4/25/1929 | See Source »

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