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Paglia, who is professor of the humanities at the University of the Arts in Philadelphia, was invited by the Boston Phoenix to speak on her theory of American popular culture, an artistic tradition which she believes stems from Greco-Roman paganism...

Author: By Marc J. Ambinder, CRIMSON STAFF WRITER | Title: Paglia Opines on American Culture, DiCaprio, Evils of Postmodernism | 5/8/1998 | See Source »

...life, speaking through his realistic effigy; that's the armor he wore when he did the Turk in--and so forth. Lotto's portraits tend to be more complicated than that. Take, for instance, his magnificently assured portrait of Andrea Odoni, 1527. Odoni, a rich Venetian, collected Greco-Roman antiquities, and the clue to this painting is the statuette he shows in his hand--an image of Artemis, goddess of the Ephesians, denounced by St. Paul. But his other hand clasps a crucifix to his breast, declaring that despite his passion for the antique, he believes in Christ, not pagan...

Author: /time Magazine | Title: Art: An Enchanting Strangeness | 2/2/1998 | See Source »

...interior of the restaurant-designed by architect Mark Connor and interior designer Susan Greco, both from the architectural firm of Prellwitz-Chillinski-possesses a bright array of colors and lighting...

Author: By John F. Coyle, CRIMSON STAFF WRITER | Title: New Grille Opens In Square | 9/10/1997 | See Source »

Reggio di Calabria, the southern Italian port city where Gianni Versace came of age, isn't the sort of place where enviably tasteful women nibble on lunch and devour the most recent issues of Vogue. A small city with a rich Greco-Roman heritage, it has become increasingly downtrodden during the past decades. Growing up there in the 1950s and '60s, Versace witnessed the miserable postwar poverty that filled the streets, but could find elegance in the turquoise Strait of Messina that lay just beyond them. His was a city where Calabrian Mafiosi thrived in all their cheap glamour...

Author: /time Magazine | Title: GIANNI VERSACE: LA DOLCE VITA | 7/28/1997 | See Source »

Those who shy away from too much conversation about heaven can point out that detailed description of its charms has hardly been the historical rule. The two ancient peoples who probably contributed most to the heavenly notion both started out imagining a gray, undifferentiated afterlife, called Hades by the Greco-Roman culture and Sheol by the Jews. By 600 B.C., bodily resurrection had been incorporated into Judaism: the book of Ezekiel describes a field of dry bones, which at God's bidding "came together, bone to bone" and lived again. The motif recurred in the later books of the Hebrew...

Author: /time Magazine | Title: DOES HEAVEN EXIST? | 3/24/1997 | See Source »

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