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Beauty in a Wart. Diirer was 23 when he made his first of several trips to Italy. There he saw the orderly beauties of Greco-Roman antiquity, heightened through the Renaissance eyes of Mantegna and Da Vinci. Their cool confidence in man vied with his apocalyptic Gothic attitudes. He never got over all of them, recorded a nightmare in 1525: "Many big waters fell from the firmament, with great violence and with enormous noise, and drowned the whole land." But he asserted the new idea that the visible world was the true subject...

Author: /time Magazine | Title: Painting,Graphics: Hot-Rod Heraldry | 11/12/1965 | See Source »

...eyes and eardrums, have begun to inject a light touch. Lever Brothers' Breeze includes a towel as a premium in its package, and spends much of its precious 60 seconds showing a man flamencoing in the bathroom, snapping the towel about his shoulders and abruptly turning into Jose Greco when the spirit moves him. Presumably his wife is Breezing the dishes, but she never appears...

Author: /time Magazine | Title: Television: They're Doing Something Right | 11/12/1965 | See Source »

...must also reject the world-view from which the passion-flowers spring. If one must accept the world-view, or at least offer a "willing suspension of disbelief" to Kazantzakis's peculiar world, in order to accept the style. Kazantzakis himself raises this problem in Report to Greco...

Author: By Heather J. Dubrow, | Title: The Classic Proportions of Kazantzakis | 11/10/1965 | See Source »

Report to Greco clarifies all of Kazantzakis's writing in quite a different way. One realizes how much of the material in his early novels was autobiographical, particularly if one extends the term "autobiographical" to the life of the spirit...

Author: By Heather J. Dubrow, | Title: The Classic Proportions of Kazantzakis | 11/10/1965 | See Source »

Report to Greco repeats some of the incidents from these books almost verbatim. In particular, it illuminates Zorba the Greek. Now, the movie version to the contrary, Zorba does not merely discuss flesh (Good) and spirit (Bad). Rather, it exalts the impulsive, the "valiant preposterous act" (Report to Greco) over the Buddha-like espousal of the peace with which becomes the Nothing. Report to Greco shows just how much of Zorba's joie de vivre was in Nikos Kazantzakis...

Author: By Heather J. Dubrow, | Title: The Classic Proportions of Kazantzakis | 11/10/1965 | See Source »

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