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There are the numberless artists who lived to express their visions, or merely to earn applause, or both: Shakespeare, Michelangelo, Raphael and Mozart, who aimed to please; El Greco, Goya, Picasso, Beethoven, Proust and Yeats, who mostly aimed to please themselves. And there are those who found in art a refuge from reality, either through true talent, like the runaway Gauguin, or through some talent mixed with posing, like Byron, Hemingway and Dali, or no talent at all, like the hundreds of pseudo artists who succeed on borrowed ideas and hand-me-down rebellion. There are the great artistic eccentrics...

Author: /time Magazine | Title: Nation: LINCOLN AND MODERN AMERICA | 5/10/1963 | See Source »

...blasted into lava rock. Besides collecting pesos, he acquires Dresden figurines, Chinese jade, Venetian glass and ancient Spanish books that he often pores over until 2 a.m. His house also shelters Mexico's most distinguished selection of wines (7,000 bottles) and its finest private art collection-El Greco, Botticelli, Van Dyck, Dali, Diego Rivera-as well as Pagliai's picturesque third wife, international Screen Star Merle Oberon.* When someone once asked why he does not retire to contemplate his gentle Corots and just clip coupons, Pagliai replied that "clipping coupons gives you calluses on the brain...

Author: /time Magazine | Title: Mexico: Modern Medici | 5/10/1963 | See Source »

...Prado gallery, of course, still has the most. In the U.S., where collectors equipped with bulging pocketbooks and ranging tastes assiduously bought up Spanish masterpieces in recent generations, there are a number of good private and public collections to draw from. It is from these that the show "El Greco to Goya," which opened last week at Indianapolis' John Herron Museum of Art, was borrowed-the biggest and best gathering of classic Spanish work in this country...

Author: /time Magazine | Title: Art: From El Greco to Goya | 2/22/1963 | See Source »

...unfriendliness. And this building is not unfriendly at all. Le Corbusier's architecture is based on his own Modular System, a geometric proportion to the human figure, i.e. sixfoot man with hand upraised. In using this system of measurement his work is a derivitive of some of the best Greco-Roman and Renaissance architect-humanists who based their architecture on the proportions of the human figure as well. With their own module, the golden section, they designed such visually beautiful buildings as the Colliseum and the Parthenon. Are these harsh and raw? Le Corbusier does use new materials...

Author: NO WRITER ATTRIBUTED | Title: Visual Arts Center: Severity or Humaneness? | 2/19/1963 | See Source »

During a visit to Madrid one day around the turn of the century, Mrs. H. O. Havemeyer of Manhattan bustled into the hotel room of her millionaire husband and airily announced that she was going out to buy an El Greco. With her was Mary Cassatt, the noted American impressionist, who was helping the Have meyers build their great art collection. Said Sugar Tycoon Havemeyer: "You had better add a Goya while you are about it." Replied Painter Cassatt: "Perhaps we may. Who knows?" And with that, the two ladies swept out of the room and off to their mission...

Author: /time Magazine | Title: Art: From the Dwindling Supply | 11/23/1962 | See Source »

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