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...subtlety and variety with which it’s applied, makes it clear that Roth is still capable of telling a story that engages the intellect. A particularly graphic sex scene between Axler, Pegeen and a woman the couple picks up takes on the metaphorical power of Greek drama or Freudian apocrypha; “There was something primitive about it now, this woman-on-woman violence, as though… Pegeen were a magical composite of shaman, acrobat, and animal. It was as if she were wearing a mask on her genitals, a weird totem mask, that made...

Author: By Ryan J. Meehan, CRIMSON STAFF WRITER | Title: Roth’s ‘Humbling’ Is Erudite, If Apathetic | 10/23/2009 | See Source »

Based on an ancient Greek myth, John Eccles’ early 18th century opera “Semele” is undergoing an update for its latest incarnation in the New College Theatre, albeit one that still keeps it vintage. Director Victoria J. Crutchfield ’10 has transplanted the rarely-performed English opera, which will run through Sunday, to the 1970s with the hope that the inaccessibility of the classical original will melt away with the modernizing adjustments such as the transformation of the original priests into hippies. With this new setting mixing the lighthearted and the dark...

Author: By Hana Bajramovic, CONTRIBUTING WRITER | Title: ‘Semele’ Takes a Modern Tone | 10/23/2009 | See Source »

...powerless against him,” Zeus says in Jean-Paul Sartre’s play “The Flies.” Through the Electra myth, Sartre’s work skillfully explores notions of free will and human essence. This mélange of existentialism and Greek mythology would have been unremarkable to the 20th century audience for whom the play was written. But redefined within the contours of the 21st century—as the Harvard Radcliffe Dramatic Club’s production which opened this Friday demonstrates—“The Flies?...

Author: By Shijung Kim, CONTRIBUTING WRITER | Title: ‘Flies’ Attempts to Interpret Sartre | 10/19/2009 | See Source »

There is no doubt that Sartre’s original adaptation of the Greek mythology is brilliant. The play tells the story of Orestes and his sister. After an affair between their mother Clytemnestra and her lover Aegisthus results in the death of their father Agamemnon, the siblings avenge him by killing the responsible couple, who had taken over the kingdom of Argos, imposing their guilt upon the people in the form of perpetual mourning and black clothing. Sartre cleverly ties this in with existentialism. The guilt does not belong to the people but they are forced to express...

Author: By Shijung Kim, CONTRIBUTING WRITER | Title: ‘Flies’ Attempts to Interpret Sartre | 10/19/2009 | See Source »

...news had to stop whatever they were doing and shudder. The giant, silver, Jiffy Pop balloon was climbing higher over Larimer County, Colorado, and on the ground a 10-year-old boy named Bradford Heene had told the sheriff that his little brother Falcon was inside. Falcon? Was some Greek narrative poet scripting this tragedy? Their father Richard longed to live large, a scientist, storm chaser, wife swapper, aspiring reality-TV star. He had built the vessel in the backyard; they called it his "flying saucer...

Author: /time Magazine | Title: What Should Happen to Balloon Boy's Parents? | 10/19/2009 | See Source »

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