Word: greekness
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Dates: during 1940-1949
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...decked with 17 drawings in color. The editors and artists even hit on a way to make a cover design for castration (a palliative for cancer of the prostate). They used a three-color cartoon of a topi-topped explorer cutting off an orchid, laboriously explained that orchis is Greek for testicle...
Perched on orange-colored canvas chairs atop fern-scented Mount Ammouda, smiling King Paul of the Hellenes, grim U.S. General James Van Fleet and several Greek army commanders awaited the signal for the attack. At daybreak, newly arrived U.S.-made Helldivers cut across the pale blue sky to unload their cargo of Napalm fire bombs. In a few minutes, the sleepy purple mountains seemed ablaze. At week's end, King Paul and his party could celebrate a smashing victory...
...three-pronged attack, Greek government troops had shattered Communist forces in the Grammos region and had captured 8,000-ft. Mt. Grammos, long a formidable guerrilla stronghold. Government artillery commanded the whole northern ridge. All that remained, announced Athens, was to cut off the rebels' line of retreat to the Albanian border...
...stuck to their pinelog pillboxes, engaged the advancing government troops hand-to-hand. At nightfall, as a weird calm settled over the battlefields, U.N. observers spotted the dimmed lights of Albanian truck convoys moving up & down from the border, carrying off the wounded and bringing in reinforcements. Outside a Greek headquarters tent sat forlorn groups of Red prisoners awaiting interrogation. One of them, a former member of the Greek seamen's union, told of his odyssey. He had been recruited by the Communists in France, then shipped on to join the rebels via Prague and Yugoslavia. "What could...
...play itself (which Eliot charted last year with complex blackboard diagrams at Princeton's Institute for Advanced Study) marked his departure from Greek myth and medieval legend. Set in a modern London flat and a psychiatrist's Harley Street office, it contained social chitchat, a bawdy ballad and a couple of interlocking triangles. But, true to form, devout Anglo-Catholic Eliot had underlaid his comedy with sober Christian dialectic. First-nighters at the Edinburgh Festival could note that Eliot's psychiatrist and patients acted and talked more like a parson and his parishioners...