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Educators have long warned that TV has been turning the old art of reading into a closed book for the latest generation. But last week Emerson Greenaway, director of Philadelphia's Free Library, credited TV with, of all things, an improvement in reading standards. Said Greenaway: "Everybody can see mysteries, westerns and love stories on television, so when they come to the library, they ask for more serious books." Result: the library now spends more of its book-buying budget on classics, less on shallow stuff. TV, he says, has also stimulated a reading interest in famous plays...

Author: /time Magazine | Title: Television: New Leaf for TV | 12/31/1956 | See Source »

Martignoni (5 12 pp.; Grosset & Dun lap; $4.95), is the year's bargain in children's books, a fat, discriminating collection of writing from Beatrix Potter to Phyllis McGinley, and illustrations by such immortals as Kate Greenaway, Arthur Rackham, Palmer Cox and others nearly as good. If there really is a comic-book menace abroad, this book is much the best way to cope with...

Author: /time Magazine | Title: Books: Good for Giving | 12/19/1955 | See Source »

...illustrations show that art for children reached its peak in 19th Century England. Walt Disney himself would need a lot of film to match the action in Randolph Caldecott's Panjandrum Picture Book (published in 1885). And Kate Greenaway's grave little watercolors for Under the Window and Marigold Garden are still as modern-to children's eyes-as they were when Critic John Ruskin devoted a lecture at Oxford to "The Place of Kate Greenaway in Modern...

Author: /time Magazine | Title: Art: The Good Old Drawings | 10/20/1947 | See Source »

...books had such a vogue in the '80s that Paris invented a word for it, Greenawisme. Chintz curtains were printed with Greenaway's interpretations of the seasons (a blizzard for January, flowers for June). Greenaway's grave little girls, in long frocks and wide sashes, and her good little boys, in pork pie hats, were painted on dinner sets, turned into salt & pepper shakers; oil lamps were embossed with Greenaway designs; valentines like those from Greenaway's Quiver of Love were de rigueur for little lovers. Samples of these were on display in the Chicago Public...

Author: /time Magazine | Title: Art: New Country | 4/1/1946 | See Source »

...Kate Greenaway owes much of her fame to Color-Printer Edmund Evans, who discovered and sponsored her, and engraved her drawings. Another of Evans' discoveries was Randolph Caldecott, born in 1846, whose centenary was also celebrated last week. Kate Greenaway envied Caldecott's wit. Most illustrators were more inclined to envy Caldecott's sure sense of movement, which set a new standard for fast action on paper. His books (John Gilpin's Ride, Three Jovial Huntsmen, etc.) were as boyish and gay as Greenaway's were girlish and sweet...

Author: /time Magazine | Title: Art: New Country | 4/1/1946 | See Source »

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