Search Details

Word: greenaway (lookup in dictionary) (lookup stats)
Dates: all
Sort By: most recent first (reverse)


Usage:

...changing. The swift success of both Campion's protofeminist film and Nyman's lush, haunting score (more than 1.5 million CDs sold to date) has meant far fewer puffy noses and sour faces. Previously, Nyman was best known for the music he wrote for the idiosyncratic director Peter Greenaway (The Cook The Thief His Wife & Her Lover) and for his own superb 1987 opera, The Man Who Mistook His Wife for a Hat, based on Oliver Sacks' best-selling book about neurological disorders. On a recent tour of North America with his 10- piece chamber orchestra, the Michael Nyman Band...

Author: /time Magazine | Title: MUSIC: Minimalist to the Max | 11/14/1994 | See Source »

...moments you don't know what has hit you. Photographed by Stuart Dryburgh, "The Piano" is visually stunning, but its beauty is not of the empty picture-postcard kind. The visual texture of the movie is integral to Campion's vision. Michael Nyman, best known for scoring Peter Greenaway's movies, has written a haunting score that captures the essence of each character...

Author: By Joel Villasenor-ruiz, | Title: Play It Again, Jane. | 12/2/1993 | See Source »

...devotion to "chance," to musique trouve, to the music of the streets and the spheres, Cage's compositions sound as tightly / scripted and totalitarian as anything by Pierre Boulez or Luigi Nono. It is chance music in which nothing is left to chance -- as Cage eventually realized. In Peter Greenaway's 1983 television documentary on him, Cage complains that he has had trouble getting performers to take him seriously. "I must find a way to let people be free without their being foolish," Cage says, "so that their freedom will make them noble." Lenin might have felt the same...

Author: /time Magazine | Title: Sounds of Silence | 11/1/1993 | See Source »

...decision to film in black-and-white is crucial to the Kaurismaki's success in creating a subtly textured evocation of the city. It as if Kaurismaki had lifted his film from the photographs of Tabard, Izis and Cartier-Bresson. Just as Peter Greenaway calls to mind old master paintings in the composition of his scenes, Kaurismaki insinuates these great photographers of Paris, as well as the tradition of French black-and-white film. He spares no effort to achieve this effect, using a double dose of chiaroscuro lighting and urban mist...

Author: By John D. Shepherd, | Title: So It's Not the Opera: C'est la Vie de Boheme | 9/30/1993 | See Source »

...addition, numerous disc jockeys including Daughter Ruler and Screechy and Company will be in attendance, according to Carl Greenaway, who is in charge of music entertainment for the festival...

Author: NO WRITER ATTRIBUTED | Title: CAMBRIDGE CARIBBEAN AND BRAZILIAN FESTIVAL | 8/6/1993 | See Source »

Previous | 1 | 2 | 3 | 4 | 5 | 6 | 7 | 8 | 9 | 10 | 11 | 12 | 13 | Next