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...away, even after Brandeis went cold from the field and the Judges' main scoring threat, center David Brooks, took a seat on the bench after a cut above his left eye refused to stop bleeding. Harrington's 10 points, and eight each from starting forwards Andre James and Everardo Greenaway kept Brandeis close...

Author: By Josie Karp, | Title: M. Cagers Hang Judges, 63-40 | 12/4/1990 | See Source »

BRANDEIS (40): Andre James 3-15 2-6 8; Everardo Greenaway 2-7 4-5 8; David Brooks 2-3 0-0 4; Steve Harrington 3-10 2-2 10; Jason Smith 2-7 0-0 5; Brian McGrath 0-3 0-0 0; Kenny Martin 0-6 0-0 0; Michael Connolly 0-0 0-0 0; Matthew Auth 0-0 0-0 0; Eric McGhee 1-3 2-2 5; Michael King...

Author: By Josie Karp, | Title: M. Cagers Hang Judges, 63-40 | 12/4/1990 | See Source »

...change in labels, announced last week by the Motion Picture Association of America, climaxes months of high-minded wrangling among filmmakers, movie reviewers and the Hollywood establishment. When Xs were handed out to such distinguished foreign films as Pedro Almodovar's Tie Me Up! Tie Me Down! and Peter Greenaway's The Cook the Thief His Wife & Her Lover, critics and directors petitioned the M.P.A.A. to amend its system and classify certain serious fare with an A (adult) rating. Publicly, M.P.A.A. president Jack Valenti opposed any alteration, while in private he helped hammer out the compromise. This week the first...

Author: /time Magazine | Title: Cinema: Taking The Hex out of X | 10/8/1990 | See Source »

Henry, filmed documentary-style, gets its power from no-frills naturalism. The Cook, by contrast, is all artifice: splendid, meticulous, extravagant. One expects no less from the British writer-director Peter Greenaway, who with The Draughtsman's Contract and A Zed and Two Noughts revealed his gifts as a creator of murals on the subject of ruthless gamesmanship. His stories are hot, his style cool. His new film is the tale of a vicious crook (Michael Gambon) who dines nightly at a posh restaurant with his gang and his luscious, abused wife (Helen Mirren). Her pleasures are furtive but sweet...

Author: /time Magazine | Title: Cinema: X Marks the Top | 4/9/1990 | See Source »

True to its theme of emotional cannibalism in a dead-end society, The Cook has plenty of eating and excreting. Its characters, sad creatures swathed in Jean-Paul Gaultier couture, gorge on their own swollen hunger for sex, control, revenge. Similarly, Greenaway -- inspired by Jacobean revenge plays and Dutch masters' paintings -- stuffs the viewer with ripe images and raw language. He tests your appetite for intelligent sensation. For many it may be a daunting test, but it is worth taking. Elegant and rancid, this movie rates an X as in excellent...

Author: /time Magazine | Title: Cinema: X Marks the Top | 4/9/1990 | See Source »

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