Word: greenbergs
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Dates: during 2000-2009
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...1960s to the mid-1970s were the heyday of the crazy-girl book: books by and about young women who lost their minds. Sylvia Plath's The Bell Jar, Joanne Greenberg's haunting I Never Promised You a Rose Garden, Go Ask Alice, Sybil. There were books about crazy boys too, of course, such as Mark Vonnegut's The Eden Express. But that's just boys. Everybody knows they're crazy. There was something disturbingly, voyeuristically hypnotic about those hippie Ophelias--electrode paste on their temples beneath their center-parted hair, Jefferson Airplane on the sound track, psychedelic chaos...
...genre they founded has lived on, and each decade has given it a different period savor. The 1990s produced slacker crack-ups like Girl, Interrupted and Prozac Nation. Now, in the 2000s, we have Hurry Down Sunshine (Other Press; 234 pages), Michael Greenberg's account of his daughter Sally's psychotic break, which she experienced at the tragically precocious...
...strangers on the street. She frightened her friends. She was certain she was on the verge of titanic revelations that she had a duty to share with the world. Her sentences became tangled strings of self-devouring wordplay. "People get up-set when they feel set up," she told Greenberg. "Do you feel set up, Father...
...moment in China's long history. Henry Kissinger, the architect of the opening to China in 1972, was there. So, too, was former President George H.W. Bush, who took considerable political risks at home to rebuild Sino-American relations in the wake of Tiananmen Square. And also Maurice "Hank" Greenberg, the former chief executive of AIG and one of the earliest and most aggressive U.S. investors in the New China. They were joined by a legion of American CEOs. But Bush and Kissinger - bureaucratic rivals within the U.S. government 30 years ago - were the focal points. Both...
...said. ''I'm telling a joke here.'' Telling jokes has always been somewhat at odds with the p.c. ethos. To be politically correct, one must be constantly sensitive to the feelings of others. To be a comedian, one frequently has to ignore them. People like Stern, says Dr. Harvey Greenberg, professor of psychiatry at Albert Einstein College of Medicine, are ''part of a narcissistic culture, where you don't always recognize your impact on other people, and your own little turf is the most important.'' The difficulty most people have with slash-and-burn comedy is separating the conceptual satire...