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Word: greenes (lookup in dictionary) (lookup stats)
Dates: during 1960-1969
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Usage:

Other experts disagree, arguing that the U.S. flight to the suburbs is less a status symbol for escapists than a realization of a universal human craving for a bit of green space. Says Planning...

Author: /time Magazine | Title: Cities: Hope for the Heart | 3/4/1966 | See Source »

...train, the subway, the telephone, the telegraph, and eventually the automobile, foreshortened distances; the countryside beckoned, and people sick of inner-city congestion rushed in hordes to the cool green plots of suburbia...

Author: /time Magazine | Title: Cities: Hope for the Heart | 3/4/1966 | See Source »

...ignored, is that an unantennaed color set can get no better picture than an unantennaed black-and-white. The fellow grown accustomed to the foibles of his old machine is in for a shock when the "snow" of yesteryear becomes varicolored "confetti," and the old "ghosts" start haunting in green and purple halos. If either form of interference clouded the old black-and-white picture, it will all but eclipse the new color image...

Author: /time Magazine | Title: Television: The Hue of All Flesh | 3/4/1966 | See Source »

...trick is to check it out on flesh col or. If TINT is turned too far in one direction, people on the screen are complexioned a passionate purple; too far the other way, and they turn a gaseous green. When flesh tints are finally adjusted, the viewer will find that other colors are as well. Even the networks calibrate their cameras by zeroing in on so-called "color girls," who stand in with their flesh for 20 minutes before shooting starts...

Author: /time Magazine | Title: Television: The Hue of All Flesh | 3/4/1966 | See Source »

...Brinkley report, the audience just gets Chet tinted correctly (healthy suntan, hazel-brown eyes) when the producer cuts to David, who comes in as a lurid lavender. By the time Brinkley is attuned (pale pink skin, blue eyes), there is a switch to a remote Frank McGee looking sickly green at Cape Kennedy. Similarly, every break for a commercial or shift to another channel could require a readjustment. Given the errant ways of all flesh, a listener who wants realistic color can hardly afford to take his hands off the controls...

Author: /time Magazine | Title: Television: The Hue of All Flesh | 3/4/1966 | See Source »

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