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Kathryn D. Greenhalgh ’05, who also says that she “wasn’t particularly involved in opera at all before Harvard,” has been involved with DHO since she was a freshman, and directed Candide this year...

Author: By Anna M. Friedman, CONTRIBUTING WRITER | Title: Campus Operas Draw Student Talent, Fans | 4/6/2005 | See Source »

Despite opera’s growing visibility on campus, however, Greenhalgh says that producing a college opera poses numerous challenges. For one, procuring the often hefty funds, she says, can be difficult...

Author: By Anna M. Friedman, CONTRIBUTING WRITER | Title: Campus Operas Draw Student Talent, Fans | 4/6/2005 | See Source »

However, given the fact that Candide is operating on a college budget, Greenhalgh saw the need to scale down and give unity to the show...

Author: By Emily G.W. Chau, CONTRIBUTING WRITER | Title: DHO Candide Goes 1950s Style | 2/14/2005 | See Source »

...show off much of it, and to allow much of [the presentation of Candide] to function as a show within a show. So much of the staging is meant to be a performance within a performance: the set of a movie, or an after-party,” explains Greenhalgh. “We deal with some of the more absurd elements of the opera by saying, ‘This is a show within a show.’ For the parts that feel more real, we bring it back into reality of the theater...

Author: By Emily G.W. Chau, CONTRIBUTING WRITER | Title: DHO Candide Goes 1950s Style | 2/14/2005 | See Source »

...Greenhalgh receives praise from her cast for her creative and open-minded approach to the material. Hosfield elaborates, “Even though she doesn’t have a lot of experience, she’s really on top of everything, and because she doesn’t have a lot of experience, she’s really open to suggestions, open to collaboration and help...

Author: By Emily G.W. Chau, CONTRIBUTING WRITER | Title: DHO Candide Goes 1950s Style | 2/14/2005 | See Source »

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