Word: greenish
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Dates: during 1990-1999
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...Elaine Kilmurray, have wittily duplicated the hanging of two portraits that, seen at the Paris Salon of 1884, caused a ruckus that precipitated Sargent's departure from France to England. One is his image of a pushy American social locomotive, Virginie Gautreau, all twisting, mannered pose and lunar, greenish-white skin, identified only as Madame X. The French critics and public hated it--and her. The other is a painting of a fashionable gynecologist named Dr. Samuel Pozzi, renowned in Paris for his exquisite tastes and the breadth of his affairs, including one with Mme. Gautreau. He rises before...
...thousand miles to the northwest, in the Florida Everglades, the vista is much different. Chemical runoff from the corporate cultivation of sugar cane imperils vegetation and wildlife. Polluted water spills out of the glades into Florida Bay, forming a slimy, greenish brown stain where fishing once thrived...
...return, "They all did it! Look at Roosevelt! Kennedy, for God's sake! Johnson!" and so on, pointlessly, grimly, until the dinner was more or less ruined. By the time we arrived at dessert, all present realized that an ugly weather system had moved in, something like the greenish air before a tornado...
From black-and-white, Close moved to color, but again in a system-dominated way. Color printing is done with three colors: cyan (a greenish blue), magenta (a purplish red) and yellow. Close took his photo, had color separations made, and then proceeded to render each square of the canvas with each of the colors, successively, exquisitely controlling the amount of each hue per pixel. There was a yellow face, then a blue overlay, and then with the magenta one--presto, full exact color. No room for deviation or correction. Paint-by-numbers raised to the nth degree. It goes...
Despite the overwhelming prepon-derance of figurative work, abstraction prevails in the show's most lyrical and contemplative composition, a suite of untitled drawings by Flora F. Zhang '00. Three greenish pieces of found ledger paper provide fertile ground for the variety of Zhang's alternately delicate and aggressive charcoal and ink marks. Tiny red dots spiral in clusters from the tabulations of an anonymous accountant, while green spots mark the time of some alien music or growth patterns. Anemic writing whispers between the rectangles of the grid, and fragile bubbles wobble across the page. Reminiscent of John Cage...