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...stinging honesty that stems, in part, from never prettifying a particularly loathsome brat. Getting Out, Marsha Norman's first play, was initially staged at Jon Jory's Actors Theater of Louisville, and had a brief run at Marymount Manhattan's Phoenix last fall. Now tenanted in Greenwich Village at the Theater de Lys, it promises to be one of the prides of off-Broadway...

Author: /time Magazine | Title: Theater: Seared Soul | 5/28/1979 | See Source »

...authority. Her style runs more to mastering all the minutiae herself and plunging into an array of meetings to keep on top of the corporate scene. Instead of long memos, she scratches out terse notes to staffers on file cards, many of them dashed off during her commute from Greenwich, Conn., in her chauffeur-driven $46,000 gray Cadillac...

Author: /time Magazine | Title: Television: NBC's Mrs. Clean | 5/14/1979 | See Source »

...with the gentlemanly reserve of his forbearers" from the same pages that but a few months ago chimed "Harvard Divest" and "Liberation to the Oppressed". That such admiration for a "tradition of quiet genteel success" and "a full column of Gardiners, all boasting home addresses such as Brookline and Greenwich and assorted American Embassies" was printed by a newspaper which professes to frown upon arbitrary power structures and their manifestations in South Africa and Playboy centerfolds is most surprising...

Author: NO WRITER ATTRIBUTED | Title: Virtuous Example? | 5/10/1979 | See Source »

Maggie and Suzzy share an apartment in Greenwich Village, and Terre lives a few blocks away with her boyfriend. Just now, the sisters are starting on a concert tour to promote the new album and are packing their own winning skepticism along with their guitars. "There's no sense of permanence to any of this," says Suzzy, and if the Roches were to be judged by the impact of their celebrity, rather than the staying power of their work, she might be right. But Maggie, characteristically, goes a little deeper. "There's a fear," she says, "that...

Author: /time Magazine | Title: Music: Valentines from the Danger Zone | 5/7/1979 | See Source »

Eliot describes the ever deepening frustration Ochs endured as his songs and his career failed to reach the minds of his contemporaries. It all began, though, in 1962 in the Greenwich village folk clubs, which then featured singers like Peter Yarrow, Dave Van Ronk, and Bob Dylan. It was a time when "anyone with a pocketful of tunes, a guitar, and the guts to get up on stage was singing folk music." Ochs started out with songs like "One More Parade and "The Power and the Glory...

Author: By Thomas M. Levenson, | Title: Is There Anybody Here? | 4/30/1979 | See Source »

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