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Word: greenwood (lookup in dictionary) (lookup stats)
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...handed a note, the anchorman said that Brady had died and asked for a moment of silence. A.P. Reporter Maureen Santini asked White House Press Aide David Prosperi if he would find out whether the rumors were true - at just about the same time that ABC's Bill Greenwood was asking if Brady was dead. "Yes, I will," Prosperi said to Santini, nodding his head, and Greenwood apparently mistook the sig nal as confirmation of his question - though he insists he heard the words "he died." ABC and NBC also went with reports of Brady's death...

Author: /time Magazine | Title: Press: A Story Made for Television | 4/13/1981 | See Source »

...produces 40 Unimate and 15 Puma robots a month, and will have estimated sales this calendar year of $42 million. Its chief competitor: Cincinnati Milacron, which makes the sophisticated T3 robot and expects 1980 sales of $32 million. It will soon open a new plant in Greenwood, S.C. Sprouting up are newcomers like Automatix Inc., of Burlington, Mass., which was founded last year with $6 million from, among others, Harvard and M.I.T. Giants like IBM and Texas Instruments are weighing the advantages of getting in on the prospective bonanza. Overall, the fledgling U.S. robot industry is producing about...

Author: /time Magazine | Title: The Robot Revolution | 12/8/1980 | See Source »

...PHYSICAL CHARACTERISTICS of the Wilbur work against Epstein's spaciously mystical vision of the Greenwood. The set--a giant wooden ramp curving upwards toward a silvery, reflecting moon--seemed to stretch for miles on both sides at the Loeb, and when the fairy bands tripped across the stage their motion seemed part of a supernatural current. At the Wilbur they emerge from behind one white proscenium and plunge behind the other. The singers make good use of the Wilbur's side balconies for antiphonal effects, but overall the theater's smaller size cramps some of this production's style...

Author: By Scott A. Rosenberg, | Title: Midsummer Journey | 11/15/1980 | See Source »

...American Rep production, he leaves the issues in the play to speak for themselves and devotes his energies exclusively to the play's formal frame, tapping on some rotting beams and occasionally taking ax to them. His chosen weapon is extravagant caricature: never was the difference between court and greenwood so violently underscored. Where a straight production might present an orderly, ceremonious court and a rustically relaxed forest, Belgrader gives neither. His court is a Louis XIV anachronism, the women nearly immobile in skirts like giant hat-boxes, the men waving white kerchiefs and gloves to punctuate their mincing. Arden...

Author: By Scott A. Rosenberg, | Title: Some Aversions to Pastoral | 9/17/1980 | See Source »

...does more than its share to point up Epstein's intent. If the battle-tapestry that represents the court overstates the theme of conflict, its one-dimensionality perfectly sets the city off from the wood; as the tapestry rises it reveals no lush, enchanted garden but a Greenwood of primal forces, spaciously expanding sideways and upwards towards the silvery moon--a stark, haunting vision of nature largely unconcerned with or uninterested...

Author: By Scott A. Rosenberg, | Title: Out of Discord, Concord | 3/31/1980 | See Source »

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