Word: greg
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Dates: during 2000-2009
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...they got was Greg Michnikov, and he hasn’t even seen the inside of a courtroom. Not as a lawyer, anyway. And he wasn’t even drunk...
...offensively by attackman Jason Doneger (4 goals), 2003 First Team All-American attackman Ryan Boyle (1 goal, 3 assists) and attackman Peter Trombino (2 goals, 2 assists). With four points on the day, Trombino took over the lead in the Ivy League rookie point race from Harvard attackman Greg Cohen...
...five sketches. It takes place in a public speaking class taught by the eccentric and slightly irreputable Orville Goodpecker, who advertises donuts to attract newcomers like Ben (Andy Riel) and then gives him a single, individually wrapped donut. Goodpecker teaches his class with dictatorial control until Lt. Falk (Greg Luzitano) and Evangeline Rasputin (Kristy Leahy) come to arrest him for illegal flyering, but he is saved by the inept but heartfelt speech of his student Isadora (Lara Krepps), who secretly has a crush on him. Though Isadora’s final speech fails to be the hilarious setpiece it should...
Back Room, by Dan Milstein, directed by Kristin Baker, depicts the situation of three writers known only as A (Greg Luzitano), B (Ron Rittinger) and C (Lara Krepps). Their boss (Kevin LaVelle) instructs them through an intercom, and they write him speeches for all occassions—flirtation, commisseration, and an inexplicable situation in which he stands on an ornate chair to address some sort of audience. The scenario’s setup is delightfully bizzaire and enigmatic, but the implementation—a bunch of people stand around trying to think of things to write, occasionally interrupted...
...clerk on the Eastern seaboard, has been given the honor of making an inspirational speech, but before his speech he has gotten drunk and cloistered himself in the bathroom to vomit. He is encouraged by his co-worker Gary Girard (Kevin LaVelle) and tormented by the diabolical Stuart Steadfast (Greg Luzitano), who wants to steal his glory. Stuart’s momentary presence is the best part of this sequence; his cruel, demonic laughter is accompanied by melodramatic flashes of thunder and lightning. The rest of the sketch tends to drag, and by the end, when Bertrand starts talking with...