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...around him, and like Reagan, he could be hurt by that double-edged trait. Bush shied away from getting rid of a divisive member of his vice-presidential staff until Fuller came along as his new chief and forced the issue in 1985. For the past 20 months, Donald Gregg, Bush's national security adviser, has been under fire for allegedly facilitating covert support for the contras, yet Bush has refused to dismiss him, even as his candidacy has been tainted by the Iran- contra scandal...

Author: /time Magazine | Title: George Bush: The Man Who Would Be President | 3/21/1988 | See Source »

...increase also will enable the Undergraduate Council to reconsider its policy of urging all grant applicants to become financially independent, said Council Treasurer Gregg P. Sands '88-'89. The council has formed an ad hoc committee to review the grants procedures in anticipation of the new funding, Sands said. He added that groups like Amnesty International and Room 13 have difficulty raising money on their...

Author: By Joseph R. Palmore, | Title: Faculty Steering Council Will Weigh UC Fee Hike | 3/12/1988 | See Source »

Sweeney is surely a difficult show to put on. Stephen Sondheim's often dissonant, virtually non-stop score, is hard enough to sing, but Music Director David Gregg increases his singers' burden by backing them with only a piano and a synthesizer. Fortunately, the actors and the large chorus are up to the task, though Talenti and Carter occasionally fall flat on Sondheim's melodically meandering ballads...

Author: By Gary L. Susman, | Title: A Cut Above | 12/11/1987 | See Source »

Clark, wrestling at 142 lbs, attacked his opponent Gregg Muscarella early, finishing the first three minute period with an 8-0 lead. He cruised through the rest of the contest, scoring a 10-1 victory...

Author: NO WRITER ATTRIBUTED | Title: Chiefs Pin Grapplers, 24-15 | 12/10/1987 | See Source »

...staging has been so widely imitated that even its slyest devices seem cliched. Although the show's political anthems and music- hall satires throb with emotion, its love ballads are mostly lame -- a weakness that has been heightened by Joe Masteroff's miscalculated rewrite of his own book. Clifford (Gregg Edelman), the American novelist who arrives in Berlin as the Nazis are coming to power and through whom the story is told, is now unmistakably homosexual. His affair with the hoydenish singer Sally Bowles (Alyson Reed) has no chance of changing his orientation. Thus his fate no longer rests...

Author: /time Magazine | Title: Theater: The Way They Used to Make 'Em | 11/2/1987 | See Source »

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