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Ache in G Major. Little wonder, then, that Messiaen's compositions defy pigeonholing. Trois Petites Liturgies de la Presence Divine (1944), scored for soprano chorus, strings and a clattering assortment of percussion, celebrates God's omnipresence by mixing swatches of Gregorian chant with Hindu rhythms and the unearthly quavering of the Ondes Martenot (an electronic wave generator). The 77-minute Turangalila Symphony (1948), a thick layer cake of orchestral textures, is part of Messiaen's treatment of the Tristan legend, which he considers "the greatest myth of human love." Chrono-chromie (1960) echoes the sounds of nature...

Author: /time Magazine | Title: Composers: Backward Revolutionary | 4/14/1967 | See Source »

...former nun, Katherine von Bora. The sacraments were reduced from seven to two: baptism and the Lord's Supper. Luther revised the Latin liturgy and translated it into German, allowing the laity to receive the consecrated wine as well as the Host, substituting a new popular hymnody for Gregorian chant. Emphasis in worship changed from the celebration of the sacrificial Mass to the preaching and teaching of God's word...

Author: /time Magazine | Title: Protestants: Obedient Rebel | 3/24/1967 | See Source »

...that denominationalism is an obsolescent evil-the answer to Christian failings is not a revolt that creates still another new church. For another, a Christian distraught at the situation of the churches no longer needs to create a new spiritual community. Says Father Dino Bellucci of Rome's Gregorian University: "Today, it is possible for a man to leave the organized church and try to remain a Christian outside organized Christianity"-the path chosen by English Theologian Charles Davis when he recently left Catholicism (TIME...

Author: /time Magazine | Title: Protestants: Obedient Rebel | 3/24/1967 | See Source »

...Czarist Russia then kept time by the Julian calendar, which ran 13 days behind the Gregorian calendar used elsewhere in the West. The Communists soon got in step, and thus now celebrate their own October Revolution in November...

Author: /time Magazine | Title: Historical Notes: The Lost Revolution | 3/17/1967 | See Source »

Michael Ellman's sailor was sweet, if a little out of tune, and Joyce Gregorian's voice and musicianship as the 2nd woman were pleasant when she could be heard. In the more important role of Belinda, Maureen McGuire sang gracefully, although her tone was occasionally a little too tgiht. Her unhurried and slightly restrained approach to her role was effective. Akiva Kaminski was curiously costumed as Aeneas, with what looked like a red Coop scarf around his neck. A baritone singing a tenor role, he sang most of his part with an annoying wobble, and sounded strained...

Author: By Stephen Hart, | Title: Dido and Aeneas | 12/2/1966 | See Source »

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