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...returns as of 2:30 a.m. this morning. * asterisk indicates incumbent. U.S. House figures indicate change in party make-up of state's delegation to the U.S. House of Representatives. ALABAMA GOVERNOR 78% of the vote Wallace (D) 451,000 Martin (R) 216,000 U.S. SENATOR Sparkman (D)* (winner) Grenier...

Author: NO WRITER ATTRIBUTED | Title: State-by-State Returns for 1966: Governors, Senators | 11/9/1966 | See Source »

...garnished two hundred pounds of soul with a Rasputinian beard, and converted a certain respect for violence into a poetry that is as idealistic as it is aggressive, and as sweet-tempered as it is visceral. The poems are followed by appreciative essays by Richard Tillinghast and Robert Grenier; both talk extraordinarily good sense about a poet who is so skilled in the arts of Personality that he sometimes denies us access to the poem itself...

Author: By Stuart A. Davis, | Title: The Boston Review | 10/20/1966 | See Source »

...Grenier declares Goldfarb "in his poetry, altogether spiritual." Yes, Goldfarb achieves fire and air by adopting and digesting the realm of earth and water -- viscera mundi. Alimentary metaphors reign...

Author: By Stuart A. Davis, | Title: The Boston Review | 10/20/1966 | See Source »

Goldfarb composes in breath-length lines -- lines that carry their own immediate weight. Robert Grenier's lines deny that weight exists; they are pure activity. Quoting him is unfair without quoting entirely one of the six poems included -- all, I think, written since he left Cambridge for the Iowa Workshop, from whence he travels this fall to Europe on an Amy Lowell Fellowship -- blut space won't permit it. "For Donald Justice," perhaps the best, is infinitely deeper and wholly more ambitious than early Grenier poems, which tended to be terse conversational fragments of point-blank incorporations of the physical...

Author: By Stuart A. Davis, | Title: The Boston Review | 10/20/1966 | See Source »

...little difficult to suggest what it is that Grenier has accomplished, just as it was once difficult to understand what he promised. In a way, he fulfills William Carlos Williams' example and Charles Olson's precept together (Projective Verse , 1959: "A poem is energy transferred from where the poet got it, by way of the poem to, and all the way over to, the reader.... Form is never more than an extension of content.... One perception must immediately and directly lead to a further...."). But he is wholly sui generis; his present work seems to be of infinite potential...

Author: By Stuart A. Davis, | Title: The Boston Review | 10/20/1966 | See Source »

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