Word: gretchen
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...worldly wisdom, not just a welter of incident but a web of dreams, not just a prologue about stagefolk but another between the Devil and God. There are archangels along with procuresses, chunky peasants with symbolical wraiths, tavern songs and unearthly choruses, the kind of poem that gave Schubert Gretchen's spinning song, the kind of dialectic that prefigures Shaw's "Scene in Hell." It is among all this that Goethe propels his chief characters, Faust and his tempter-companion Mephistopheles, and that Goethe contrives his only real story, of Faust and the young Gretchen, whose seduction leads...
...nightclub raconteur-pianist, whose bawdy songs in free verse derided and titillated cafe society in the '20s and '30s, once caused the entire Albuquerque Rotary Club to walk out on him; in Manhattan. Fiske made pretentious women his special target (Queen Anne, Miss Elaine of Boston, Gretchen Goudonofi, Malaga the Grape Girl), but he was also unkind to Marc Antony ("Cleopatra thought this was so swell / She had the Fig Newtons passed around, / Which only gave Marc Antony a case of hiccups / She misconstrued this for emotion...
Married. Billy Martin, 31, Cleveland Indians second baseman; and Gretchen Ann Winkler, 24, Trans World Airlines hostess; in Las Vegas...
...first-act stiffness. Mr. Lasell has no sense of Jack's earnestness, his utterly sincere hypocrisy, his damnable stuffiness; Mr. Clark copes somewhat better with Algy, but cannot quite hit off his incorrigibly cheeky lightmindedness. As a result, they appear as a set of almost interchangeably cheerful young men. Gretchen Kanne misses the hothouse bloom of Gwendolyn, who exists in and through Society like an elegant bacterium in its nutrient broth. (In the midst of an ineffably decorous cat-fight, Gwendolyn accepts a cup of tea from her rival with the aside, "Detestable girl! But I require tea!") (italics mine...
...performances are one and all solidly professional, although a couple of the ladies give an occasional impression of being younger than they are supposed to be. As the Director, Leading Lady, and Leading Man of Pirandello's theatrical company, Dean Gitter, Gretchen Kanne, and Wendell Clark delineate three phonies without ever a phony stroke in their performances. Mr. Gitter's role is more extensively characterized than the others, and he brings to it the right sort of pudgy excitability and pseudo-suavity. Ray Reinhardt, Dora Landey, Richard Mathews, and Helen England are the most prominent of the Characters, and they...