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...radio audience, it was briefly exciting ? speeches by NBC's President Merlin Hall Aylesworth and Board Chairman Paul Drennan Cravath of the Metropolitan, sounds of the orchestra tuning up under Conductor Karl Riedel, echoes of an audience which included many pleased youngsters. Engelbert Humperdinck's Hansel und Gretel was the opera, first whole performance to be broadcast from the Metropolitan. Composer Deems Taylor, official narrator, sat in a little glass booth in one of the grand tier boxes, describing music and action to radiauditors. In another soundproof booth were an expert with score in hand, ready with warnings...

Author: /time Magazine | Title: Music: Met on the Air | 1/4/1932 | See Source »

Soon after the onset of Hansel und Gretel came telegrams of praise. Director Giulio Gatti-Casazza, pleased as Punch, had been popping to & from the backstage office of Press Agent William J. ("Billy") Guard, where a receiving set had been installed. Chairman Cravath was impressed. "A miracle! . . ." said Radio Conductor Walter Johannes Damrosch. The engineers who had succeeded in making the whole country (and several further parts of the world) an opera house, said that the old part-wooden Met was much easier to work with than Chicago's handsome new opera house, whose concrete tends to give off bass...

Author: /time Magazine | Title: Music: Met on the Air | 1/4/1932 | See Source »

...Metropolitan stock was not forthcoming. But financial security seemed to lie in the announcement that a two-year contract had been signed with National Broadcasting Co. Twenty-five operas sent over the air will bring in a revenue of $250,000. The first: Humperdinck's Hansel und Gretel, Christmas afternoon...

Author: /time Magazine | Title: Speech from the Throne | 12/28/1931 | See Source »

Mutterliebe, Heimatsklange, Gretel und Liesel (German Independent Companies). In cities like Manhattan, St. Louis, Chicago, the German population is large enough to give capacity business to the little theatres which show such all-German pictures as these. Mutterliebe is a story of mother-love overlaid with Teutonic sentiment but built with less logic than most German stories; it tells of a woman so anxious to give mother love that she kidnaps a little girl. Heimatsklänge is a travelog showing pretty views of Rotenburg, Dinkelsbühl, Wertheim, and Fussen; it is synchronized with German folk music. Gretel...

Author: /time Magazine | Title: Cinema: The New Pictures: Feb. 23, 1931 | 2/23/1931 | See Source »

Boheme with winsome Queena Mario and pompous little Gigli, Salome, Traviata, Cavalleria, Hansel und Gretel, Manon, Tannhduser, Mignon, Girl of the Golden West, Lucia ? the Los Angeles repertoire and reactions were much the same as in San Francisco. Boxofficially Soprano Maria Jeritza was greatest at traction. Gigli got the galleries. Critics were most eager to hear Clare Clairbert, new Belgian coloratura...

Author: /time Magazine | Title: Music: Curtain Call | 10/6/1930 | See Source »

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