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Born on the other side of the border in New York City, McDonald grew up in Greenwich Village, a neighborhood in Manhattan. But when she was 16, she traveled to France for the first time, an experience that she says shaped the rest of her career...
...Instead, the red shirts are incensed that Abhisit is in office at all. In December 2007, in the first postcoup election, Thai voters cast the most ballots for a Thaksin proxy party. As fears grew that Thaksin might be pardoned by his allies and stage a political comeback, the yellow shirts responded by occupying the Prime Minister's office complex for months and hijacking Bangkok's two airports for a week. They only dispersed when a court dissolved the then ruling party as punishment for electoral fraud, allowing an Abhisit-led coalition to form through parliamentary backroom deals. "This...
Koirala was born in exile in colonial India--his prominent dissident family at odds with the rulers in Kathmandu at the time--and grew up steeped in the secular traditions of South Asia's independence movements. Koirala's bearing, to the end of his days, was not unlike that of India's own apostle of democracy and first Prime Minister, Jawaharlal Nehru: austere and gaunt, forever garbed in an elegant blazer and his trademark Nepali...
Chances are, if you grew up in the mid-1950s, you either owned an official Davy Crockett coonskin cap or had the lyrics of the television show's theme song committed to memory: "Born on a mountaintop in Tennessee/ Greenest state in the land of the free ... Davy, Davy Crockett/ King of the wild frontier." Under the iconic cap--just one of the show's many merchandising tie-ins--stood Fess Parker, who died on March 18 at 85. The 6-ft. 6-in. Texas-born actor fit the rugged American frontiersman mold so well in the five Crockett episodes...
...Carrington family grew larger and crazier, as Alexis purred and Krystle pouted, as Blake surged from kidnapping to murder rap, Forsythe kept his hold on the viewers' belief and rooting interest. He knew that his job was to make the impossible sound plausible, and that not every actor has to be Brando. The craft can be sedative as well as stimulant. There's a place for the traditional performer - the audience's ordinary extraordinary surrogate, the one who explains to them the awful thing that just happened...