Word: greyingly
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Dates: during 1960-1969
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Mounted police moved in to signal that the demonstration was over. They were astride dapple-grey horses, the same stalwart breed that the Cossacks had used to run down street mobs with nagaika and saber in czarist days. 'Suddenly the scene dissolved into chaos, and photos taken by Western journalists provided a dramatic record of the astounding proceedings. This was. after all, the first time since June 1918 that a Moscow riot had to be put down by force. The cops let fly with whip and truncheon. Screaming "Fascists!" at the militia, the mob fought back with rocks, bricks...
...embassy damage was considerable, with fully 310 windows shattered and the grey facade streaked with reel, blue and black ink. U.S. Ambassador Foy Kohler sent an angry note, charging that police protection had been "grossly inadequate." The protest was accepted by Soviet Foreign Minister Andrei Gromyko, who sent workers to repair the damage...
...coat over a turquoise-and-white-striped long dress, but Sculptor Marilynn Karp outstriped her by running her black and white stripes from dress to stockings to shoes. Painter Jane Wilson was completely optical in a sleek, hooded sheath of white organdy, delightfully dizzy in disks of black and grey. Magazine Editor Pat Coffin wrapped herself in a giant silk stole of peristaltic black dots on a white field that was designed by Painter Bridget Riley, whose op offerings in the show were titled Current and Hesitate. Teacher-Painter Ruth Ann Fredenthal sported a polychrome print that showed Designer Emilio...
Meanwhile, several unsavory friends stand ready to expand a mere triangle into a many-splendored thing. Lana's warmest admirer is Hugh O'Brian, a Romeo-for-hire to rich female tourists. Two of them (Ruth Roman and Virginia Grey) have come to Acapulco to get some son, and Ruth thinks that O'Brian is just...
...Desert he seems keener to offer Actress Vitti's jumpy, hyper-tense performance as an almost clinical study of neurosis. She is inspiringly alienated, for that sturdy cliché dissolves into a rich flow of images that astonish the eye. At one moment, a street scene goes entirely grey-including a vendor, his cart, fruit and all. When Vitti awakes in panic at night to find a toy robot clacking around her glacially modern home as though it had a will of its own, the very walls become terrifying abstractions. And her fear of separateness is made subtly palpable...