Word: greyingly
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Dates: during 1960-1969
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...aware perhaps that this was a matter beyond his competence, he concurred with the clerk's opinion. Tramping around the narrow streets of Westport, accompanied by TIME Washington Bureau Chief John Steele, Fortas was enjoying the scruffy anonymity of any other summer refugee from the city. In baggy grey pants, a flame-red cardigan sweater, scuffed brown shoes (one with a tongue missing) and a floppy white yachtsman's hat (a 58th-birthday present from his wife ten days earlier), he carted three bags of soiled linen to the laundry, then, pausing occasionally to consult a neat shopping...
Latvian-born Sven Lukin, 34, also distorts perspective to reflect the pressures of Manhattan life. Of his grey and pink Squeeze, he explains: "Think of tender flesh squeezed under an environment that is all speed, cement and cars. Grey is an urban color." Squeeze seems to loom above the viewer far larger than its actual eight feet because its vanishing point is situated a foot or so below the painting, in what is known as "worm's-eye perspective." Traditionally, perspective was used to make a painting seem to open a window into the wall; Lukin uses the technique...
John Cassavetes plays Guy as much too blah a character to have done what the script says he did, and Ralph Bellamy behind a full grey beard seems hardly sinister enough to be Dr. Sapirstein, the occultivated obstetrician. These minor lapses, though, do not seriously affect the bewitching qualities of the film-which, in addition to being superb suspense, is a wicked argument against planned parenthood...
...idea for the Public Theater began with Papp's feeling that, while Shakespeare speaks to modern man, he wanted also to stage contemporary plays dealing with contemporary themes. "I wanted a theater," he explains, "that was doubting, questioning, grey not pink, that took on a social character. The world is dark, and I felt a need for works that would reflect that mood. I did not want another menu theater-a little of this, a little of that-like our regional and repertory companies...
...plays Papp chose for his first season suited his grey color scheme very well, at least as he characterizes them. Papp directed a freewheeling modernization of Hamlet, which he says is about alienation and the question of existence, and Czech Playwright Vaclav Havel's The Memorandum, a satire on the evils of selling out and compromise. The Public Theater's artistic director, Gerald Freedman, staged the rock musical Hair, which to Papp is "about loneliness," and Jakov Lind's Ergo, which dealt with guilt for the horrors of World...