Word: greyingly
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Dates: during 1960-1969
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...Poet William Cullen Bryant wrote in the 1870s of the tidy, tree-shaded town with its white clapboard houses: "Nowhere is decay or unwholesome poverty apparent." It is not apparent today, but there all the same are migrant labor camps, like the Cutchogue settlement for potato workers, whose four grey-painted World War I barracks house itinerant teams of Florida, Arkansas, Virginia or New Jersey farm hands. Isaiah, 35, the crew chief, is a diminutive Negro from Florida who tools around the camp in a late-model Cadillac, earning his daily bread from a 10% surcharge on each worker...
Robert Morris is such a common name that some museumgoers think there are several Robert Morrises. There is the one whose grey Fiberglas L shapes won a prize at the Chicago Art Institute in 1966, and the one whose knifeedged I beams starred in the Guggenheim Museum's sculpture show last year. Then there is the Robert Morris who electrified Buffalonians at the 1965 Festival of the Arts by a "dance" in which he and a female partner inched across the stage, locked in embrace and clad only in mineral...
...grey colt was a son of the great Native Dancer, but he had chronically "mushy" (swollen) ankles, and it seemed he might never get to the races. So Owner Peter Fuller decided to get rid of him. He changed the horse's name from A.T.'s Image (after Fuller's father, former Massachusetts Governor A. T. Fuller) to Dancer's Image, and put him up for auction. The bidding reached $25,000, stopped-and, just as the gavel was about to fall, Fuller had a change of heart. After bidding $26,000 himself, he paid...
...Bowie, the Wood Memorial Stakes at Aqueduct. Fuller finally decided to take a big gamble, enter the horse in the Kentucky Derby, and pray that his ankles held up. Last week, with one of the most stirring stretch drives in Derby history, Owner Fuller's gimpy grey won the 94th running of the famed race, and the question was: what price Dancer's Image...
...Reinhardt experimented with black on black. Latest and farthest-out researcher is Cali fornia's Robert Irwin, 39, who has developed pictures composed of light on light. Each painting consists of a white aluminum disk, sprayed at the edges with a subtle blush of blue, pink or grey. Mounted 15 or 20 inches from the wall, the disks are lit by four small spotlights, which cast phantasmal shadows on the wall behind...