Word: greyingly
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Dates: during 1960-1969
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French for a Lifetime. With the next volume taking up all of her time, Julia has stopped taping The French Chef, plans to wait until color comes to educational TV before resuming it, because "I'm tired of grey food." Meanwhile, the program is being run and rerun on a rapidly increasing number of stations. Encouraged by the show's phenomenal success, Boston educational station WGBH-TV plans a new program on Chinese cooking presided over by Joyce Chen, Cambridge restaurant owner, cookbook author and teacher. Already, 80 stations have inquired about carrying the show as soon...
...Columnist Walter Lippmann, 77, insisted that a new isolationism was sweeping the world, making obsolete the U.S. commitment in Viet Nam. Not surprisingly, on his vacation Lippmann found his judgment confirmed. In the first columns he has written since his return, Lippmann portrayed today's Europeans as a grey, inhibited lot. "They do not have the ambition to participate in history and to shape the future. Their state of mind is marked by a vast indifference to big issues, and there is a feeling that they are incompetent to do much about the big issues." Modern men, Lippmann...
...notorious Victorian criminal-lack the Ripper. The confrontation contains some bloody-awful picture possibilities, and Director James Hill (Born Free) has the wit to explode them as he exploits them. The bloodiest, of course, are presented by those scenes in which the Ripper, swathed in the sort of corpse-grey fog the last century called a "London particular," glides up to a luckless trollop, and with a knife at least as big as the minute hand on Big Ben opens the poor girl from 'ere to 'ere. At such moments Hill hoses the screen with such a preposterous...
...That horrible old lady!" she gasps as she staggers toward the nearest exit. The guards charge into the ladies room prepared to corner a criminal, but all they find is a grey wig and a rubber mask and their own foolish faces in the lavatory mirror...
Tension is set up most intensely in the sadic electricity that crackles between the principals. Pleasence plays the husband as the abject dog beneath the good grey skin of a middle-aged respectable who has made his pile and lost his nerve, as a whipped cur whining, wriggling, licking, leaking, crawling on its belly in pathetic need to please. Dorléac plays the wife as a bitch-kitty who doesn't know she is alive unless she is sinking her claws into some poor hound. Slander, in the funniest and most sinister performance of his long screen career...