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George M! The Radcliffe Grant-in-Aid's production of the Joel Grey Broadway hit about the life of entertainer George M. Cohan. The music includes "Broadway" and "Yankee Doodle Dandy." At the Agassiz, November 6-8, 13-15, 20-22 at 8 p.m. Tickets $3.50 and $3, $2 for students...

Author: By Julia M. Klein, | Title: THE STAGE | 11/6/1975 | See Source »

...cast in a high school Christmas play, never has to even try once the cameras get rolling. Charisma, which is his excuse, is based on double takes and spiraling eyes and the ticks and flutters that make a face interesting, as long as the role doesn't demand any grey matter behind it. But Charles Bronson-his features wouldn't twitter a fraction if he were hit by a truck, yet he dominates this picture like the best of them...

Author: By Richard Turner, | Title: Flush Times for Charles Bronson | 10/31/1975 | See Source »

George M. The Radcliffe Grant-in-Aid's production of the Joel Grey Broadway hit about the life of entertainer George M. Cohan. The music includes such standards as "Give My Regards to Broadway" and "Yankee Doodle Dandy." Get tickets early, or not at all, since the Agassiz's peculiar seating makes late ticket-buyers liable to neckstrain. At the Agassiz, November 6-8, 13-15, 20-22 at 8 p.m. Tickets $3.50 and $3, $2 for students...

Author: By Julia M. Klein, | Title: THE STAGE | 10/30/1975 | See Source »

George M. The Radcliffe Grant-in-Aid's production of the Joel Grey Broadway hit about the life of entertainer George M. Cohan. The music includes such standards as "Give My Regards to Broadway" and "Yankee Doodle Dandy." Get tickets early, or not at all, since the Agassiz's peculiar seating makes late ticket-buyers liable to neckstrain. At the Agassiz, November 6-8, 13-15, 20-22 at 8 p.m. Tickets $3.50 and $3, $2 for students...

Author: By Julia M. Klein, | Title: THE STAGE | 10/23/1975 | See Source »

King Lear. Peter Brook's film is superb-he rightly rejects any possible amelioration of Lear's pessimism. He shot the film in Jutland and although it is technically in color the only colors present are black, white, grey and sometimes dark brown. Paul Scofield is adequate though not perfect as Lear, although his "Never, never, never, never, never" is disappointing. Brook (what a long way this is from his version of Midsummer-Night's Dream) cut about 1/3 of Shakespeare's lines and even a few whole scenes, but he was justified by his results. The kind of film...

Author: NO WRITER ATTRIBUTED | Title: THE SCREEN | 10/16/1975 | See Source »

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