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Word: greyingly (lookup in dictionary) (lookup stats)
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They enter a bar: the two men sit in flat two-shot, separated and complementary (Antonio in dark grey sitting higher, the doctor in white below and slightly to the front); but this personal relation is transformed by a slow zoom into Antonio, who is speaking to the audience about Lampeiro, the greatest of all cangaceiros, whom Antonio killed in 1938. "Lampeiro was my mirror," declares Antonio: "in him I saw myself." This speech exactly balances the cangaceiro's from the preceding sequence, just as the parades mirror each other; even the two men's speeches say the same thing...

Author: By Mike Prokosch, | Title: The Sophist Antonio das Mortes at Lowell House, 8 and 10 tonight | 12/4/1970 | See Source »

...grey-headed Bruins were from the teams of the '30's and '40's and were a little balder and little slower than their opponents. "I've never seen these guys before. but they're pros and they're long on savvy," coach Jim Hutchinson warned his players before the game...

Author: NO WRITER ATTRIBUTED | Title: JV Hockey Team Defeats Boston Bruins Old-Timers | 11/25/1970 | See Source »

...What was the great grey green greasy Limpopo River all set about with...

Author: NO WRITER ATTRIBUTED | Title: NOSTALGLA Can You Name The Bobbsey Twins? | 11/18/1970 | See Source »

...widow remarrying money. The current Dolly (does it really matter?) is Ethel Merman. She looks like an inflated scarecrow and struts about on stage in absolute refusal to act. As she blows kisses to the middle-aged ladies, recites her lines in a clarion voice, and charms a grey, indeterminate audience, it becomes apparent that no one but the chorus members-least of all the audience-cares about the play. It is an excuse for going outside, for spending money, for making money, for exchanging one boredom for another...

Author: By Laurence Bergreen, | Title: Theatre Losing the Charles | 11/3/1970 | See Source »

...Jack Palance) amble vaguely across Southwestern cattle country, swapping hand-rolled cigarettes and saddle-sore lines that would make a dogie bleat in an guish. Screenwriters Lukas Heller and David Goodman apparently drew their ideas from The Misfits and The Wild Bunch and hawg-tied them with early Zane Grey dialogue. The resulting wrangle is a tale of aging cowpokes in a changing West that ain't worth the price of a good branding iron...

Author: /time Magazine | Title: Cinema: Hawg-Tied and Saddle Sore | 10/26/1970 | See Source »

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