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Word: greyingly (lookup in dictionary) (lookup stats)
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...better at than us, other than making sweet wine and salted cod. This is a country that has been in decline since 1494, when in the saddest, most grandiose moment of self-delusion in history, it actually sat down with Spain and divided up the world. Not even Brad Grey and Mike Ovitz ever did that, at least not publicly...

Author: /time Magazine | Title: The Rest-of-the-World Cup | 6/17/2002 | See Source »

...better at than us, other than making sweet wine and salted cod. This is a country that has been in decline since 1494, when in the saddest, most grandiose moment of self-delusion in history, it actually sat down with Spain and divided up the world. Not even Brad Grey and Mike Ovitz ever did that, at least not publicly...

Author: /time Magazine | Title: The Rest-of-the-World Cup | 6/10/2002 | See Source »

...revival matches the wit or intensity of William Daniels’ original portrayal. It matters that in the second Broadway revival of Cabaret, Alan Cumming delivers the shocking final line of “If You Could See Her” as a harsh whisper, whereas Joel Grey sings it in the original production...

Author: By Adam R. Perlman, CRIMSON STAFF WRITER | Title: Everybody's Got the Right | 3/22/2002 | See Source »

...this grand scope that makes for the exhibit’s most compelling print. It depicts another street corner, where the camera looks obliquely down a long city street. The image is divided vertically by another grey lamp post; on its right, a pretzel vendor plies his trade while on the left in the foreground a balding, mousy looking man’s face is half-obscured by an enormous brown paper bag. Far in the deep background, yet clearly visible, are the two towers of the World Trade Center. This exhibit was assembled in the wake of Sept...

Author: By James Crawford, CRIMSON STAFF WRITER | Title: New Eyes on a Familiar City | 3/22/2002 | See Source »

...example, work by Josef Albers, internationally known for his “Homage to the Square,” is shown in this exhibition, including “Grey Instrumentation I” (1975). The work is composed of squares within squares of such light hues that the work would fade into the wall if not for its frame. From the range of his colorful squares, Krakow has chosen two works that are almost colorless, which comes as a surprise considering Albers’ long past researching the psychology of color and the change of reading the same hue complemented...

Author: By Stephanie Hatch, CONTRIBUTING WRITER | Title: Subtle and Sweet on Newbury Street | 3/15/2002 | See Source »

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