Word: greys
(lookup in dictionary)
(lookup stats)
Dates: during 1970-1979
Sort By: most recent first
(reverse)
...cast in a high school Christmas play, never has to even try once the cameras get rolling. Charisma, which is his excuse, is based on double takes and spiraling eyes and the ticks and flutters that make a face interesting, as long as the role doesn't demand any grey matter behind it. But Charles Bronson-his features wouldn't twitter a fraction if he were hit by a truck, yet he dominates this picture like the best of them...
George M. The Radcliffe Grant-in-Aid's production of the Joel Grey Broadway hit about the life of entertainer George M. Cohan. The music includes such standards as "Give My Regards to Broadway" and "Yankee Doodle Dandy." Get tickets early, or not at all, since the Agassiz's peculiar seating makes late ticket-buyers liable to neckstrain. At the Agassiz, November 6-8, 13-15, 20-22 at 8 p.m. Tickets $3.50 and $3, $2 for students...
George M. The Radcliffe Grant-in-Aid's production of the Joel Grey Broadway hit about the life of entertainer George M. Cohan. The music includes such standards as "Give My Regards to Broadway" and "Yankee Doodle Dandy." Get tickets early, or not at all, since the Agassiz's peculiar seating makes late ticket-buyers liable to neckstrain. At the Agassiz, November 6-8, 13-15, 20-22 at 8 p.m. Tickets $3.50 and $3, $2 for students...
King Lear. Peter Brook's film is superb-he rightly rejects any possible amelioration of Lear's pessimism. He shot the film in Jutland and although it is technically in color the only colors present are black, white, grey and sometimes dark brown. Paul Scofield is adequate though not perfect as Lear, although his "Never, never, never, never, never" is disappointing. Brook (what a long way this is from his version of Midsummer-Night's Dream) cut about 1/3 of Shakespeare's lines and even a few whole scenes, but he was justified by his results. The kind of film...
Fleming looks successful, with his tanned face, prematurely grey hair and slight paunch--like a rising executive or liberal politician on the make. He seems to be the kind of man who prizes his independence--who would rather interview Mae West on his own than cover a presidential campaign for Newsweek--and he says he doesn't miss being in the thick of things. "Well, occasionally I feel a pang," he admits. "When I heard about Patty Hearst being busted, I thought, son of a bitch, I'd sure like to get my hands on her, you know, for four...