Word: grid
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Dates: during 1970-1979
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...armor of medieval soldiers. Even the terrible knocking at the gate is not the usual pounding on wood but instead a clanking on metal. This is a cool, gray world. The huge portraits of Duncan and later of Macbeth and his wife, which are dropped down from the grid, are not colored oils; they are stark black-and-white photographs. Touches of color in this production are rare, and thus all the more striking...
...Harvard locker and the Friars with their distracting bat-persons (female) had to take the two hour bus ride back to Providence, thinking maybe next year. Harvard fans will see their coach, Alex Nahigian, again though, as he will be here next Fall to assist Joe Restic. After the grid campaign however he returns to the Rhode Island capital to prepare the Friar baseball squad for another shot at the series...
...this has resulted in a vastly improved standard of living for the people of Kalkilya. The town was tied into Israel's electricity grid last year after Kalkilya's old generators broke down and there was no way to get new ones from Jordan. And laborers can now afford such luxuries as television sets and gas stoves. About the only ones who have not profited are the citrus growers, who complain that they are unable to compete with Israeli industries in the high wage market. "If we speak sharply to the workers," complains Mustafa Hussein Nazzal, Kalkilya...
Over this almost wistful tale of bittersweet love is superimposed the geometric grid lines of New York, the monolithic city, the steel-and-glass giant. Film projections flash on high-rise panel backdrops and form skyscraper spectaculars. At their shadowy base laps the treacherous asphalt tide of the urban jungle. This translates into dance numbers with the slashing tempi of switchblades, though none are shown or used. Hookers, casual muggings and cops as cynical as the wink of an eye breeze across the stage, less in menace than in roguish mockery. Never mind if any of this is strictly true...
...quiet, and mystery. Characters walk alone through courtyards edged by arcades shadowing old men, scenes recalling the surrealist architectures of De Chirico's paintings, or through landscapes of over-powering perspective: maize fields that extend to the horizon, forests so carefully cultivated that their trunks establish a sort of grid sweeping off behind the actors. Against such backdrops, human figures appear tiny, lost, joined together only be sweeping pans or long, fluid tracking shots. Narrower perspectives guide the eye: corridors that open out of a stuccoed wall, an avenue of tall poplars leading to the house of a rich local...