Word: grid
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Dates: during 1970-1979
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...power tower systems. Large arrays of computer-directed mirrors, or heliostats, reflect and concentrate the sunlight on a tower containing a steam boiler linked to an electricity-producing turbine. This October, Southern California Edison Co. will start building the nation's first such device linked to a power grid. Located in Daggett, Calif., it will have as many as 1,800 mirrors and during the day should generate 10 megawatts of power, enough for the needs of several thousand homes. Cost: $116 million...
Union Oil Co. has built one of the first U.S. geothermal power stations at Geyserville, Calif., 90 miles northwest of San Francisco. It sends 608 Mw, 2% of California's electricity, to Pacific Gas and Electric's utility grid, enough to power 500,000 homes. The cost is only 1.80 per kw, and Union Oil optimistically suggests that by 1990 geothermal energy could provide 25% of California's electricity...
Clearly pleased by NRC's compromise decision, Lee did something of an about-face. At week's end, he predicted that the "outages"-jargon for when a generator is out of the power grid-would be of "very short duration." Certainly, he said, they would not last into the peak summer season. But Harold Denton, the NRC's reactor regulations chief, was more skeptical. Something of a hero in the nuclear field for his cool troubleshooting at Three Mile Island in the wake of March's accident, he insisted that all B & W pressurized water reactors...
...felt in the 1979 Whitney Biennial is, oddly enough, minimalism−a style made up of simple, primary, uninflected forms, usually garnished with tangled masses of oversubtilized criticism. Less, these days, does not seem to be more, especially when the work in question is yet another empty grid by Sol LeWitt, or something like Richard Serra's Toll, 1978-79−three walls of a gallery enclosure painted dead, oily black. In the past, some of Serra's sculptures have been memorable, their slabs and rolls of lead or iron imbued with a harshly macho directness. Compared with...
...years later. During his long association with the International Style, he built some of its canonical late buildings, notably his own glass house on his estate at New Canaan (1959) and, with Mies, Manhattan's Seagram Building (1958), which survives as the virtual Parthenon of glass-grid architecture. But unlike some other men of his generation, Johnson kept his restless, stylish sense of incongruity and his loathing of repetition. He is the Balanchine of architecture. His range is wide, running from the Renaissance monumentalism of the A T & T building to the airy glass cathedral now in progress...